Course options
Key information
Duration: 3 years full time
UCAS code: W440
Institution code: R72
Campus: Egham
The course
Drama and Theatre Studies (BA)
BA Drama and Theatre Studies at Royal Holloway is about more than the stage. You’ll study how performance engages with big ideas like identity, politics, power, and protest.
Learn to analyse, question, and make theatre that responds to the world around you. Balancing creative practice with critical thinking, this degree equips you to grow as a confident, versatile artist – on stage and beyond.
Take to the stage
- Learn from a teaching team with extensive experience in the field
- Explore diverse performance forms, from classical drama to contemporary, digital, and global practice
- Access professional facilities including the Caryl Churchill Theatre, Boilerhouse Theatre, rehearsal studios, and production labs
Make an impact
In your first year at Royal Holloway, you’ll take part in our Skills Lab module, designed to give you career-focused learning from the start. You’ll take part in skills workshops by staff from across the university, on topics ranging from careers and academic skills to technical theatre and digital performance.
In your final year, you’ll apply your skills in industry-focused modules like Radio Drama and Theatre for Young People. These help you reflect critically and prepare for your next steps.
Launch your career in areas such as theatre, TV, education, arts management, cultural policy, and teaching.
We sometimes make changes to our courses to improve your experience. If this happens, we’ll let you know as soon as possible.
Course structure
Core Modules
Year 1
-
-
-
-
-
Skills Lab offers a broad introduction to key working methods and research approaches in theatre and performance studies.
Year 2
- All modules are optional
Year 3
Optional Modules
Below is a taster of some of the exciting optional modules that students on the course could choose from during this academic year. Please be aware these do change over time, and optional modules may be withdrawn or new ones added.
Year 1
-
All modules are core
Year 2
-
In this module you will develop an understanding of non-traditional approaches to performance making that constitute the broader term ‘devised’ practice. You will look at methods of engaging with contemporary life, focussing on a number of key areas of devised practice, including their contexts, forms, and modes of documentation. You will consider the generative roles played by autobiography, the body, political activism and everyday life and use theoretical and practical research to develop your own performance pieces.
-
In this module you will develop an understanding of the methods of theatre directing. You will look at the role of the director from preparing a play text to staging a successful production, considering the collaborations between actors, designers, playwrights and producers. You will exmaine a variety of approaches to classic texts and new writing, and hone your skills by directing your peers in short scenes from a play of your choice.
-
In this module you will develop an understanding of the difference between stage acting and acting for camera. You will learn techniques for 'translating' your stage acting skills to mediated performance. You will collaborate through the year with directing students in the Department of Media Arts on an internal monologue film, a silent film, and a short scene, and these can later be used as part of an audition reel.
-
In this module you will develop an understanding of a range of theatre forms that integrate dance and drama. You will look at the variety of ways that practitioners have chosen to bring text and movement into creative dialogue, using scores, play texts, choreography and movement processes. You will examine the values and principles that drive such experimentation and reflect on the historical, political and cultural contexts within which these practitioners worked. You will consider the work of practitioners such as Pina Bausch, DV8, Frantic Assembly, Complicite, Caryl Churchill and Martin Crimp, and develop a small group performance devised in response to selected texts and styles of movement/dance.
-
In this module you will develop an understanding of the role of spatial design in a performance context. You will look at how designers respond to and make space for theatre to happen, and through the study of visual composition and visual langauge, will explore the role of spatial design in a performance context. You will consider the the work of a variety of practitioners and will test out your design ideas in a series of practical and performance workshops focusing on textual analysis, space and place, object, performer and the spectator.
-
In this module you will develop an understanding of how theatre practitioners have frequently sought to represent social reality in order to critique it. You will look at the naturalist stage of the late nineteenth century through to contemporary verbatim performance, and explore the methods and implications of theatre’s 'reality-effects'. You will consider why so many theatre companies and practitioners in the twenty-first century have turned to documentary, tribunal, verbatim and other forms of reality-based performance, and examine a range of contemporary plays and performance texts from around the world, building an awareness of the politics, possibilities and limitations of 'staging the real'.
-
In this module you will look at the work of debbie tucker green, one of the most exciting black playwrights of the early twenty first century, who's critical acclaim has recognised her original experimental linguistic virtuosity. You will explore the the performance possibilities of her playtexts, considering writing form alongside the topical social and political human rights issues she portrays, such as genocide, urban teenage violence, sex tourism and mental health. You will consider tucker green’s impact as a black British woman playwright by situating her plays in relation to trends in plays by other contemporary black British women playwrights, and examine her work within the context of 21st Century black British new writing.
-
In this module you will develop an understanding of the wide-ranging discussions of ecology and environmentalism in Shakespeare's plays. You will look at the relations between humans and the natural world, and consider contemporary environmental debates and theatre practices. Guest speakers, such as David Haygarth, Head of Energy and Sustainability at Royal Holloway, will address scientific and commercial topics such as the UN 15 sustainable development goals, and the Caryl Churchill Theatre’s green credentials. You will explore a range of plays by Shakespeare which stage the natural world, including A Midsummer Night’s Dream, As You Like It, King Lear, and The Merry Wives of Windsor. You will also examine how environmentalism can impact both theatre and Shakespeare in performance.
-
In this module you will develop an understanding of children's theatre and the current success of theatre for young audiences. You will look at the innovative performance styles of theatre companies such as Oily Cart and Theatre-rites, and consider how their work has been pushing the boundaries of contemporary theatre. You will examine the Unicorn theatre, the first purpose-built theatre for children in London; playwrights such as Charles Way, Philip Ridley, Neil Duffield, Mark Ravenhill and David Greig; and the work of theatremakers such as Mark Storor and Sue Buckmaster, who bring a blend of visual art, puppetry and live art to performances for children. You will critically analyse how performance installations can excite children’s imaginations, focusing on the visual, tactile and aural elements of theatre and performance.
-
In this module you will develop an understanding of the diverse art forms that investigate memory in dynamic conversation and the nature of art, history, and humanity. You will look at the disruption to the purpose, value, and nature of art in the aftermath of the cataclysmic events of the Holocaust, and move through the twentieth century to consider different cultures of memory, memorialisation, trauma, and witnessing. You will examine a wide range of cultural textual and performative genres, including first-hand testimony, plays, films, graphic novels, museums, and public monuments.
-
In this module you will develop an embodied understanding of culture. You will look at different cultural contexts for dance production, considering the context of where, when and how you dance. You will examine the cultural production and consumption of dance, exploring theories grounded in cultural studies and their implications on dance and dancing bodies, such as Marxism, post-modernism, feminism, post-structuralism, post-colonialism, gender and sexuality, and psychoanalysis. You will focus on popular dance, global popular culture, and dance on screen, and investigate the relationship between dance practices and the social, political and economic context in which they emerge. You will be encouraged to devise performances which creatively engage with cultural studies.
-
-
-
-
-
-
-
Year 3
Teaching & assessment
You will be an active partner in your learning process. Our most important teaching tool is the seminar/workshop, a two to three hour class with a maximum of 20 students consisting of discussion, presentation of your research and practical experimentation, with or without written texts.
IT applications are used to explore many aspects of the subject, and we support your capability in this area through an Information Technology Skills course. Private study and preparation are essential parts of every course, and you will have access to many online resources and the University’s comprehensive e-learning facility, Moodle.
You will also take a study skills course during your first year, designed to equip you with and enhance the writing skills you will need to be successful in your degree. This course does not count towards your final degree award but you are required to pass it to progress to your second year.
Assessment methods match the course content. For most course units, you will be assessed on two pieces of work, one of which is usually an essay, while the other might be an assignment such as a seminar presentation or a performance. Practical assignments include model box set designs, lighting designs, acting, directing and stage management tasks, physical theatre and movement presentations, or work with schools and other community groups. You will sometimes be assessed as part of a group. We do not operate formal timed examinations.
Entry requirements
A Levels: ABB-BBC
Required subjects:
- At least five GCSEs at grade A*-C or 9-4 including English and Mathematics.
- Select your qualification
- International Baccalaureate
- BTEC National Extended Diploma
- BTEC National Diploma
- BTEC National Extended Certificate
- Welsh Baccalaureate
- Scottish Advanced Highers
- Scottish Highers
- Irish Leaving Certificate
- Access to Higher Education Diploma
- T-levels
English language requirements
All teaching at Royal Holloway (apart from some language courses) is in English. You will therefore need to have good enough written and spoken English to cope with your studies right from the start.
The scores we require
- IELTS: 6.5 overall with 6 in Writing and minimum of 5.5 in each subscore
- Pearson Test of English: 67 with 61 in writing (no other subscore lower than 54)
- Trinity College London Integrated Skills in English (ISE): ISE IV.
- Cambridge English: Advanced (CAE) grade C.
- TOEFL iBT: 88 overall, with Reading 18 Listening 17 Speaking 20 Writing 19
- Duolingo: 120 overall, 115 in Literacy, 115 in Production and no sub-score below 100.
Country-specific requirements
For more information about country-specific entry requirements for your country please visit here.
Undergraduate preparation programme
For international students who do not meet the direct entry requirements, for this undergraduate degree, the Royal Holloway International Study Centre offers an International Foundation Year programme designed to develop your academic and English language skills.
Upon successful completion, you can progress to this degree at Royal Holloway, University of London.
Your future career
Graduates from the Department of Drama, Theatre and Dance go into a wide variety of careers, as well as further academic study. Many go into performance, stage management, broadcasting (including at the BBC), arts administration, journalism, teaching, health, marketing, and PR. Lots of our graduates also start their own performing arts companies.You'll be familiar and confident in performance situations – skills which are vital for meeting and networking, and make you viable for visible leadership roles.
You'll also walk away with considerable experience of technical, intellectual, imaginative, and practical skills, valued by most employers. Aside from these performance skills, you'll also get whole host of other skills in research and project management.
Fees, funding & scholarships
Home (UK) students tuition fee per year*: £9,535
EU and international students tuition fee per year**: £26,800
Other essential costs***: There are no single associated costs with studying this course greater than £50 per item. It is a requirement to purchase a pair of safety boots in the first year, for which a range of cost options are available. Ticket costs for mandatory theatre trips are capped at £10.
How do I pay for it? Find out more about funding options, including loans, scholarships and bursaries. UK students who have already taken out a tuition fee loan for undergraduate study should check their eligibility for additional funding directly with the relevant awards body.
*The tuition fee for Home (UK) undergraduates is controlled by Government regulations. This figure is the fee for the academic year 2025/26 and is shown as a guide. The fee for the academic year 2026/27 has not yet been announced.
**This figure is the fee for EU and international students on this course in the academic year 2026/27.
Royal Holloway reserves the right to increase tuition fees annually for all students. For further information see fees and funding.
*** These estimated costs relate to studying this particular degree at Royal Holloway during the 2026/27 academic year. Costs, such as accommodation, food, books and other learning materials and printing, have not been included.
