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Notes on Contributors
Dialectical images of femininity by Kerstin Bueschges
Family Roles and Paternal/Maternal Genealogies within and between Psychophysical Performer Trainings and their Documentation by Alissa Clarke
Articulating the abject: Metamorphosis in Marina Carr’s The Mai by Shonagh Hill
Little (White) Women: Locating Whiteness in (De)constructions of the American Female from Alcott to Split Britches by Courtney Elkin Mohler
Unconventional Femininity in the work of Suzan-Lori Parks and Marina Carr by Siobhán O’Gorman
Staging Humanity in Cranberry: The Human Revelation of Joan Crawford by Matt Saltzberg
Reasoning Madness: The Reception and Performance of Euripides’ Herakles by Kathleen Riley by Stephe Harrop
The Male Dancer: Bodies, Spectacle, Sexualities by Ramsay Burt by Grant Tyler Peterson
Performance Practice and Process: Contemporary [Women] Practitioners by Elaine Aston and Geraldine Harris by Amanda Bolt
American Puppet Modernism: Essays on the Material World in Performance by John Bell by Alissa Mello
Choreographing the Folk: The Dance Stagings of Zora Neale Hurston by Anthea Kraut by Sarahleigh Castelyn
‘Tell her it’s serious:’ Caryl Churchill’s Seven Jewish Children: A Play for Gaza at the Royal Court Theatre by Kate Leader
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