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Notes on Contributors
‘Objects of Engagement:’ Conference Response by Roberto Sánchez-Camus, Nesreen Hussein and Grant Tyler Peterson
The Cabinet of Curiosities: Objects as Compositions by Bernadette Cronin
The Fan of Noh Theatre: Object of Encounter by Diego Pellecchia
The Interactive Object: Undermining the Artist and Empowering the Audience by Mark Flisher
Seeing through the Wall: Objectification between Resistance and Acceptance by Nesreen Hussein
Disturbing Objects: Making, Eating and Watching Food in Popular Culture and Performance Practice by Jenny Lawson
Gentlemen Still Prefer Blondes: The Persistent Presence of Marilyn Monroe Impersonators by Amanda Sue Konkle
Barbarous Play: Race on the Renaissance Stage by Lara Bovilsky by Victoria E. Price
City Stages: Theatre and Urban Space in a Global City by Michael McKinnie by Philip Hager
Political Theatre in Post-Thatcher Britain: New Writing: 1995-2005 by Amelia Howe Kritzer by Rachel Clements
Hard Work: Robert Lepage’s Lipsynch and the Pleasures of Responsibility by James Reynolds
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