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Classical Studies and Drama

Classical Studies and Drama

BA
  • UCAS code QW84
  • Option 3 years full time
  • Year of entry 2021

The course

Taught by a variety of internationally recognised experts, the course combines study of the ancient world with the opportunity to deepen your knowledge of and skills in drama.

If you are captivated by classical literature and philosophy and are keen to understand more about ancient history and classical archaeology, Classical Studies is ideal.

Classical Studies offers a great deal of choice in subjects related to the ancient world, immersing you in lots of aspects of ancient Greece and Rome – its literature, history, philosophy and archaeology – even its languages; Greek and Latin can be studied at whatever level you’re at and for one, two or three years.

As a student of Classical Studies you will be part of our Classics Department, where the quality of research that informs our teaching and a friendly, individual approach which shapes the way we guide our students combine to create an unbeaten academic experience.

Choosing to study Drama at Royal Holloway will put you at the centre of one of the largest and most influential Drama and Theatre departments in the world. You'll create performances, analyse texts, and bring a range of critical ideas to bear on both.  On this course the text and the body, thinking and doing, work together. There's no barrier between theory and practice: theory helps you understand and make the most of practice, while practice sheds light on theory. By moving between the two, you'll find your place as an informed theatre-maker, and by studying a variety of practices, by yourself and with others, you'll get knowledge of the industry as a whole, and learn how your interests could fit into the bigger picture. Our staff cover a huge range of theatre and performance studies, but we're particularly strong in contemporary British theatre, international and intercultural performance, theatre history, dance and physical theatre, and contemporary performance practices.

Our flexible degree programmes enable you to apply to take a Placement Year, which can be spent studying abroad, working or carrying out voluntary work. You can even do all three if you want to (minimum of three months each)! To recognise the importance of this additional skills development and university experience, your Placement Year will be formally recognised on your degree certificate and will contribute to your overall result. Please note conditions may apply if your degree already includes an integrated year out, please contact the Careers & Employability Service for more information. Find out more

  • Optional language modules in Greek or Latin.
  • Analyse the cultural, social and political contexts of the ancient world.
  • Gain insight into the theatre industry as well as theory.
  • Learn about theatre history and politics.
  • Go beyond drama with dance, physical theatre, and contemporary performance practices.

Core Modules

Year 1
  • Theatre and Performance Making 1
  • Theatre and Text
Year 2
  • All modules are optional
Year 3
  • All modules are optional

Optional Modules

There are a number of optional course modules available during your degree studies. The following is a selection of optional course modules that are likely to be available. Please note that although the College will keep changes to a minimum, new modules may be offered or existing modules may be withdrawn, for example, in response to a change in staff. Applicants will be informed if any significant changes need to be made.

Year 1
  • In this module you will develop an understanding of Ancient Greek grammar and syntax and learn elementary vocabulary. You will acquire basic aptitude in reading Ancient Greek text (mostly adapted, with some possible original unadapted basic texts) and consider the relationship between Ancient Greek language and ancient Greek literature and culture.

  • In this module you will further your understanding of Greek grammar and syntax. You will look at Greek prose and/or verse texts, in unadapted original Greek, and learn how to accurately translate passages at sight.


  • In this module you will develop an understanding of a wide range of texts in ancient Greek. You will look at set texts in both prose and verse for translation, and complete grammar and syntax consolidation exercises. You will consider the literary and linguistic features of advanced Greek texts and examine features of grammar, syntax and style.

  • This module can be taken by anyone with less than a B in GCSE Latin.  If students have a B or better in Latin GCSE or equivalent, they should be looking at Intermediate Latin (unless it was a very long time ago). The module sets out to provide a basic training in the Latin language for those with little or no previous experience of Latin. The emphasis is on developing the skill of analysing the structure and meaning of Latin sentences, and on efficient use of the dictionary. Students will also gain familiarity with a range of literary and epigraphic texts in the original Latin.

  • A module intended to build on Beginner’s Latin or O-level/GCSE, extending the students' knowledge of Latin to the point where they are ready to read substantial texts.

  • In this module you will develop an understanding of classical Latin and how to interpret Latin texts. You will study two set texts in Latin, one prose and one verse, focussing on translation, context and understanding of grammar. You will gain practice in unprepared translation of texts of similar genres to the prepared texts and will consider selected topics in Latin grammar and syntax.

  • In this module you will develop an understanding of the framework of Greek literary history from Homer to Heliodorus. You will look at the chronology of major authors and works, and how they fit into larger patterns in the development of Greek culture and political history. You will examine ancient literary texts in translation, considering issues in key genres including epic, lyric, drama, oratory, philosophical writing, historiography, Hellenistic poetry, and the Greek novel.

  • In this module you will develop an understanding of the history of Roman literature from its beginnings until the end of the Republic. You will look at the work of the major Republican Roman authors Plautus and Terence, Lucretius, Catullus and Cicero. You will consider the issues in the earlier history of Roman literature, including the relationship with Greek models and the question of Roman originality, literature and politics, the use of literature for scientific or philosophical exposition, and the development of narrative style ant attitudes to the Roman Republican past.

  • In this module you will develop an understanding of the history of Roman literature in the early imperial period. You will look at the work of five authors selected from the Julio-Claudian period, considering the ways in which Roman literature responded to the new political conditions established by the Principate. You will develop your skills in interpretation, analysis and argument as applied both to detailed study of texts (in translation) and to more general issues.

  • In this module you will develop an understanding of ancient philosophical ideas and the ways in which philosophical arguments are presented and analysed. You will look at the thought and significance of the principal ancient philosophers, from the Presocratics to Aristotle, and examine sample texts such as Plato's 'Laches' and the treatment of the virtue of courage in Aristotle, 'Nicomachean Ethics' 3.6-9.

  • In this module you will develop an understanding of how classical Greek and Roman societies developed the concept and role of the individual as part of the wider community. You will look at Greek and Roman education, and how that encouraged the formation of ideal behaviour and identity. You will consider the role of rhetoric, and how competition was encouraged within these societies though literary and dramatic contests, sport, military life, and religion. You will examine how these ideas reflect the role of the individual in the community of the cosmos, and the place in society of 'others', including the lower classes, women, children, the elderly, and slaves.

  • In this module you will develop an understanding of the Greek World in the Classical Period. You will look at the key events in Greek History from 580 to 323 BC and place these in their historical context. You will consider historical problems and critically examine information and accounts set out in the Greek sources as well as in the works of modern historians. You will analyse a range of sources materials, including inscription, historiography and oratory, and develop an awareness of potential bias in these.

  • In this module you will develop an understanding of the development of Roman politics and society over the extended period of Roman history, from early Rome through to the emergence of the Medieval World. You will look at the chronology and development of Rome, examining key themes in the interpretation of particular periods of Roman history, including the rise and fall of the Republic and the Imperial Monarchy. You will consider the difficulties and methological issues in the interpretation of Roman Historiography and analyse a variety of theoretical approaches used by historians.

  • In this module you will develop an understanding of how different classical disciplines interrelate. You will focus on specific academic skills such as avoiding plagiarism, approaching and evaluating a range of ancient evidence, using library and other resources, critically evaluating modern scholarship and theoretical approaches, and relating academic study to employability.

  • This is a survey module covering a large and disparate field. No previous knowledge is assumed: it will offer a basic introduction to the principles of classical archaeology and to the archaeological material of ancient Greece. The module will help you to place archaeological objects and contexts alongside literature and philosophy and to gain a more rounded understanding of how the Greeks thought about their world and the physical environment they created for themselves. The main aim of the module is to familiarise you with the material culture of the Greek civilisation from the Bronze Age to the Hellenistic period. We will examine the principal forms of Greek art and architecture, together with their stylistic development and social context. We will also consider developments in political organisation and religious practice, as well as evidence for everyday life. The module will introduce basic methodological concepts and theoretical approaches to the study of ancient Greek material culture.

  • This module studies the broad spectrum of archaeological evidence for the Roman world. It will provide an introduction to the main sources of archaeological evidence and key sites across the Roman world. It will offer a taste of how we can use the evidence they provide in the study of history, society and technology during the period c. 200 BC – c. AD 300. It aims to familiarize you with the principal forms and contexts in which art and architecture developed in the Roman world; to introduce you to the uses of material culture in studying history, i.e. to study the art and architecture of Rome as part of its history, social systems, culture, and economy; and to develop critical skills in visual analysis.

Year 2
  • Intensive Greek
  • Aspects of Modern Greek Language and Culture
  • Hellenistic Epic: Apollonius of Rhodes
  • Imperial Greek Poetry: Epic & Epigram
  • Homer (in Greek)
  • The Tragedy of Euripides
  • Greek Dramatic Texts II (Comedy)
  • Herodotus
  • Plato (in Greek)
  • Imperial Greek Literature
  • Greek Historiography (in Greek)
  • Greek Erotic Poetry in Greek
  • Horace
  • Lucretius and Virgil
  • Latin Love Elegy
  • Roman Satire
  • Latin Epic
  • Latin Historiography
  • Catullus and Horace
  • Latin Letters
  • Homer (In Translation)
  • Greek Drama (In Translation)
  • Cinema and Classics
  • Ovid’s Metamorphoses: Art and Power in Augustan Rome
  • Virgil’s Aeneid : the Empire in the Literary Imagination
  • Gender in Classical Antiquity
  • Greek Law and Lawcourts
  • Greek History to 322 BC
  • Greek Historiography
  • Augustus: Propaganda and Power
  • The Roman Republic: A Social and Economic History
  • The Rise of the Roman Empire: An Economic and Social history
  • Historiography of the Roman World
  • Body and Soul in Ancient Philosophy
  • The Good Life in Ancient Philosophy
  • The Built Environment in Classical Antiquity
  • Greek and Roman Art in Context
  • Understanding Pompeii and Herculaneum
  • Perspectives on Roman Britai
  • Second Year Projects
  • In this module you will develop an understanding of non-traditional approaches to performance making that constitute the broader term ‘devised’ practice. You will look at methods of engaging with contemporary life, focussing on a number of key areas of devised practice, including their contexts, forms, and modes of documentation. You will consider the generative roles played by autobiography, the body, political activism and everyday life and use theoretical and practical research to develop your own performance pieces.

  • In this module you will develop an understanding of the methods of theatre directing. You will look at the role of the director from preparing a play text to staging a successful production, considering the collaborations between actors, designers, playwrights and producers. You will exmaine a variety of approaches to classic texts and new writing, and hone your skills by directing your peers in short scenes from a play of your choice.

  • In this module you will develop an understanding of the difference between stage acting and acting for camera. You will learn techniques for 'translating' your stage acting skills to mediated performance. You will collaborate through the year with directing students in the Department of Media Arts on an internal monologue film, a silent film, and a short scene, and these can later be used as part of an audition reel.

  • In this module you will develop an understanding of a range of theatre forms that integrate dance and drama. You will look at the variety of ways that practitioners have chosen to bring text and movement into creative dialogue, using scores, play texts, choreography and movement processes. You will examine the values and principles that drive such experimentation and reflect on the historical, political and cultural contexts within which these practitioners worked. You will consider the work of practitioners such as Pina Bausch, DV8, Frantic Assembly, Complicite, Caryl Churchill and Martin Crimp, and develop a small group performance devised in response to selected texts and styles of movement/dance.

  • In this module you will develop an understanding of the role of spatial design in a performance context. You will look at how designers respond to and make space for theatre to happen, and through the study of visual composition and visual langauge, will explore the role of spatial design in a performance context. You will consider the the work of a variety of practitioners and will test out your design ideas in a series of practical and performance workshops focusing on textual analysis, space and place, object, performer and the spectator.

  • In this module you will develop an understanding of how theatre practitioners have frequently sought to represent social reality in order to critique it. You will look at the naturalist stage of the late nineteenth century through to contemporary verbatim performance, and explore the methods and implications of theatre’s 'reality-effects'. You will consider why so many theatre companies and practitioners in the twenty-first century have turned to documentary, tribunal, verbatim and other forms of reality-based performance, and examine a range of contemporary plays and performance texts from around the world, building an awareness of the politics, possibilities and limitations of 'staging the real'.

  • In this module you will look at the work of debbie tucker green, one of the most exciting black playwrights of the early twenty first century, who's critical acclaim has recognised her original experimental linguistic virtuosity. You will explore the the performance possibilities of her playtexts, considering writing form alongside the topical social and political human rights issues she portrays, such as genocide, urban teenage violence, sex tourism and mental health. You will consider tucker green’s impact as a black British woman playwright by situating her plays in relation to trends in plays by other contemporary black British women playwrights, and examine her work within the context of 21st Century black British new writing.

  • In this module you will develop an understanding of the wide-ranging discussions of ecology and environmentalism in Shakespeare's plays. You will look at the relations between humans and the natural world, and consider contemporary environmental debates and theatre practices. Guest speakers, such as David Haygarth, Head of Energy and Sustainability at Royal Holloway, will address scientific and commercial topics such as the UN 15 sustainable development goals, and the Caryl Churchill Theatre’s green credentials. You will explore a range of plays by Shakespeare which stage the natural world, including A Midsummer Night’s Dream, As You Like It, King Lear, and The Merry Wives of Windsor. You will also examine how environmentalism can impact both theatre and Shakespeare in performance.

  • In this module you will develop an understanding of children's theatre and the current success of theatre for young audiences. You will look at the innovative performance styles of theatre companies such as Oily Cart and Theatre-rites, and consider how their work has been pushing the boundaries of contemporary theatre. You will examine the Unicorn theatre, the first purpose-built theatre for children in London; playwrights such as Charles Way, Philip Ridley, Neil Duffield, Mark Ravenhill and David Greig; and the work of theatremakers such as Mark Storor and Sue Buckmaster, who bring a blend of visual art, puppetry and live art to performances for children. You will critically analyse how performance installations can excite children’s imaginations, focusing on the visual, tactile and aural elements of theatre and performance.

  • In this module you will develop an understanding of the diverse art forms that investigate memory in dynamic conversation and the nature of art, history, and humanity. You will look at the disruption to the purpose, value, and nature of art in the aftermath of the cataclysmic events of the Holocaust, and move through the twentieth century to consider different cultures of memory, memorialisation, trauma, and witnessing. You will examine a wide range of cultural textual and performative genres, including first-hand testimony, plays, films, graphic novels, museums, and public monuments.

  • In this module you will develop an embodied understanding of culture. You will look at different cultural contexts for dance production, considering the context of where, when and how you dance. You will examine the cultural production and consumption of dance, exploring theories grounded in cultural studies and their implications on dance and dancing bodies, such as Marxism, post-modernism, feminism, post-structuralism, post-colonialism, gender and sexuality, and psychoanalysis. You will focus on popular dance, global popular culture, and dance on screen, and investigate the relationship between dance practices and the social, political and economic context in which they emerge. You will be encouraged to devise performances which creatively engage with cultural studies.

  • Theatre and Ideas: Ideas of Gender and Sexuality
  • Theatre and Ideas: The Idea of Tragedy
  • Theatre and Ideas: The Idea of Adaptation
  • The Idea of the Musical
  • Theatre and Ideas: The Idea of Acting
  • Theatre and Ideas: The Idea of Money
  • Theatre and Ideas: The Idea of Casting
Year 3
  • Further Aspects of Modern Greek Language and Culture
  • Cinema and Classics
  • Roman Oratory
  • Ancient Literary Criticism
  • Roman Drama (In Translation)
  • Greek Lyric, Eros and Social Order
  • Nature and the Supernatural in Latin Literature
  • Greek Literature under the Roman Empire
  • Studying Ancient Myth
  • Culture and Identity from Nero to Hadrian
  • The Roman Novel
  • Gender in Classical Antiquity
  • Greek Law and Lawcourts
  • Augustus
  • The Roman Republic: A Social and Economic History
  • The Rise of the Roman Empire: An Economic and Social history
  • Alexander the Great
  • The City from Augustus to Charlemagne: The Rise and Fall of Civilisation
  • Body and Soul in Ancient Philosophy
  • The Good Life in Ancient Philosophy II
  • Understanding Pompeii and Herculaneum
  • Perspectives on Roman Britain
  • City of Rome
  • City of Athens
  • The Archaeology of the Roman Near East
  • Extended Essay (Dissertation)
  • Love, Gender and Sexuality
  • Race Relations in Theatre, Film and Television
  • Shakespeare
  • Naturalist Theatre in Context
  • Creative Learning and Theatre
  • Physical Theatre
  • Stage to Screen: Adaptation and Performance of Plays on Film
  • The Actor's Voice
  • Actor Training in a Globalised World
  • Final Year Project - Special Study
  • Final Year Project - Dissertation
  • Taught Dissertation

The course has a modular structure, whereby students take 12 course units at the rate of four per year. Some course units are compulsory, while others are elective, thereby offering flexibility and some choice. During your second and third years you accumulate the marks that make up your final degree award.

Teaching methods are designed to match the course content. In classics, you will be taught through a mixture of lectures, seminars and individual tutorials, depending on the subjects studied. Outside classes, you will undertake group projects and wide-ranging but guided independent study, including completing language exercises and reading prescribed and open material. For drama course units, the most important teaching tool is the seminar/workshop, a two to three hour class of a maximum of 20 students consisting of discussion, presentation of your research and practical experimentation, with or without written texts.  Practical assignments include model box set designs, lighting designs, acting, directing and stage management tasks, physical theatre and movement presentations, or work with schools and other community groups.

In your final year the Classics department provides ongoing support for your dissertation work, which usually includes:

  • Lectures and practical sessions on Dissertation Research Methods e.g. planning your topics, carrying out research, using specialist resources, finding information in print and online, and managing your search results and references. These sessions are run in conjunction with the Library Service and are generally also open to second year students.
  • Short departmental writing ‘surgeries’, in which academic staff offer general writing support if you are experiencing problems and/or if you have specific queries.

Assessment takes place by a combination of written assignments, seminar presentations and end of year examinations. Drama course units may also contain assessed performances and practical assignments, such as model box set designs, lighting designs, acting, directing and stage management tasks, physical theatre and movement presentations, or work with schools and other community groups.

A Levels: AAB-ABB

Required subjects:

  • At least five GCSEs at grade A*-C or 9-4 including English and Mathematics.

Where an applicant is taking the EPQ alongside A-levels, the EPQ will be taken into consideration and result in lower A-level grades being required. For students who are from backgrounds or personal circumstances that mean they are generally less likely to go to university you may be eligible for an alternative lower offer. Follow the link to learn more about our contextual offers.

English language requirements

All teaching at Royal Holloway (apart from some language courses) is in English. You will therefore need to have good enough written and spoken English to cope with your studies right from the start.

The scores we require
  • IELTS: 6.5 overall. Writing 7.0. No other subscore lower than 5.5.
  • Pearson Test of English: 61 overall. Writing 69. No other subscore lower than 51.
  • Trinity College London Integrated Skills in English (ISE): ISE III.
  • Cambridge English: Advanced (CAE) grade C.

Country-specific requirements

For more information about country-specific entry requirements for your country please visit here.

Undergraduate Pathways

For international students who do not meet the direct entry requirements, the International Study Centre offers the following pathway programmes:

International Foundation Year - for progression to the first year of an undergraduate degree.

International Year One - for progression to the second year of an undergraduate degree. You can join the International Year One in January 2021 and progress to degree study in September 2021.

Our degree courses not only promote academic achievement but also the means to hone the life-skills necessary to excel, post-graduation.

Studying Classics involves analysing the cultural, social and political context of the ancient world.  By choosing to study this intellectually demanding discipline you will develop a broad range of skills which are highly prized by employers, including:

  • the ability to communicate views and present arguments clearly and coherently
  • the ability to critically digest, analyse and summarise content
  • time management and the discipline to meet deadlines
  • organisation and research skills
  • problem-solving skills and capability

Being able to understand and process complex issues, to critically evaluate resources and construct coherent arguments both verbally and in writing is why many Royal Holloway classicists become employed in law, marketing, publishing, the media, government and finance.

Classical Studies and Drama graduates have also pursued careers in acting, writing, broadcasting, literary agency, arts management, sound design and community theatre work. Employers, such as the BBC, Channel 4, multinational law firm SJ Berwin, The Guildhall (City of London), accountancy firm KPMG, the Natural History Museum, Customs and Immigration, London Advertising, Broadstone Pensions and Investments and the Armed Forces have all recently recruited Royal Holloway alumni from the Department of Classics.

 

Home (UK) students tuition fee per year*: £9,250

EU and International students tuition fee per year**: £18,800

Other essential costs***: There are no single associated costs greater than £50 per item on this course. Students stuying Drama, Theatre and Dance are required to purchase a pair of safety boots in the first year, for which a range of costs are available. Ticket costs for mandatory theatre trips are capped at £10.

How do I pay for it? Find out more about funding options, including loansscholarships and bursaries. UK students who have already taken out a tuition fee loan for undergraduate study should check their eligibility for additional funding directly with the relevant awards body.

*The tuition fee for UK undergraduates is controlled by Government regulations. For students starting a degree in the academic year 2020/21, the fee will be £9,250 for that year. The fee for UK undergraduates starting in 2021/22 has not yet been confirmed.

**The Government has confirmed that EU nationals starting a degree in 2020/21 will pay the same fee as UK students for the duration of their course. For EU nationals starting a degree in 2021/22, the UK Government has recently confirmed that you will not be eligible to pay the same fees as UK students, nor be eligible for funding from the Student Loans Company. This means you will be classified as an international student. At Royal Holloway, we wish to support those students affected by this change in status through this transition. For eligible EU students starting their course with us in September 2021, we will award an automatic fee reduction which brings your fee into line with the fee paid by UK students. This will apply for the duration of your course.

Fees for international students may increase year-on-year in line with the rate of inflation. The policy at Royal Holloway is that any increases in fees will not exceed 5% for continuing students. For further information see fees and funding and our terms and conditions. Fees shown above are for 2020/21 and are displayed for indicative purposes only.

***These estimated costs relate to studying this particular degree programme at Royal Holloway. Costs, such as accommodation, food, books and other learning materials and printing etc., have not been included.

100% say staff have made the subject interesting

Source: National Student Survey, 2019 (Classics)

Top in the UK for career prospects

Source: 'Career after 6 months', Guardian University Guide, 2020 (Classics)

6th in the UK for performing arts

Source: QS World University Rankings by Subject, 2019 (Drama, Theatre and Dance)

1st for research intensity

Source: Complete University Guide, 2020 (Drama, Theatre and Dance)

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