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World and Comparative Literatures and Cultures

World and Comparative Literatures and Cultures

BA
  • Option 3 years full time
  • Year of entry 2021

If we make you an offer for this course for 2021 entry, we guarantee to confirm your place even if one of your final A-level results is one grade below those you have received in that offer. Equivalencies and exclusions apply. Full details here.

Please note that this degree is now closed for 2021 entry. Please see our alternative Comparative Literature and Culture.

The course

BA World and Comparative Literatures and Cultures is a unique degree which gives you the opportunity to develop global cultural awareness by discovering a world of literature, as well as the chance to explore art, film and philosophy. Everything is accessible in English, and an exciting, diverse range of modules enables you to explore different places, periods, genres and media whilst developing sophisticated critical, analytical and communication skills.

Studying World and Comparative Literatures and Cultures will broaden your horizons and passions, and give you a critical edge as you range from the local to the global, from literature to visual arts. In your journeys of discovery, you’ll compare how literature and culture can reflect and influence the different political, social and economic contexts in which they are created. At the same time, you’ll explore the production, transmission and translation of texts and ideas, examining how they can operate as mechanisms of power and influence and inform understandings of cultural difference and identity. This degree is designed to be at once interdisciplinary and flexible, so alongside core courses which help you become a persuasive and inclusive thinker and communicator, you’ll be able to shape your studies according to your own evolving interests.

You will be taught by world-class experts who genuinely want to get to know you. We create a supportive environment, often using group work so you can try out new ideas and participate in lively discussions. Throughout your studies, you will receive personal guidance to ensure your course is aligned with your strengths, interests and career plans. As part of our close-knit international community, you will be able to get involved with an array of cultural initiatives that take place on campus and make the most of being within easy reach of London and its many events and attractions.

Our flexible degree programmes enable you to apply to take a Placement Year, which can be spent studying abroad, working or carrying out voluntary work. You can even do all three if you want to (minimum of three months each)! To recognise the importance of this additional skills development and university experience, your Placement Year will be formally recognised on your degree certificate and will contribute to your overall result. Please note conditions may apply if your degree already includes an integrated year out, please contact the Careers & Employability Service for more information. Find out more.

  • Explore literature, philosophy and art from different places, periods and genres
  • Become a persuasive and inclusive communicator, able to range from the local to the global
  • Enjoy core courses that will develop your skills and knowledge
  • Optional modules to shape your studies according to your own evolving interests and passions
  • Hone invaluable critical and analytical skills that make you stand out from the crowd 
From time to time, we make changes to our courses to improve the student and learning experience, and this is particularly the case as we continue to respond to the Covid-19 pandemic. If we make a significant change to your chosen course, we’ll let you know as soon as we can.

Core Modules

Year 1
  • Exploring World Literatures: Debates and Examples
  • This module introduces students to the theories and practices of textual analysis and comparative textual analysis as well as to the major debates about theories and practices of comparative literature in a transnational context. Students will read a small number of core literary texts - influential within comparatism and diverse in cultural, temporal and linguistic origin - alongside a range of historically, geographically, culturally, generically and stylistically varied textual extracts. The core literary texts will be read in their entirety, with particular attention to: the construction and interpretation of genre; transnationalism and translation; cultural and historical context; and questions of authorship, influence and canonicity.

  • This module introduces students to a range of literary and filmic texts depicting different aspects of the city. The focus on a common thematic ground allows students to develop skills of comparison and analysis, while also exposing them to, and encouraging them to reflect on, wider questions of urban space, public and private spheres, and alterity. The works to be studied on the city explicitly engage with three periods and aspects of the modern city: early twentieth-century modernity, urban development and planning, modernist architecture; post-war industrialisation and urbanisation; and the contemporary transnational metropolis and multiculturalism. In all the periods, the focus will be on how the films articulate the following themes: money/poverty, technology, migration, crime, gender and sexuality.

Year 2
  • World Literatures: Transmission and Translation
  • Comparing short stories from different periods and geographical areas is a great way of exploring how literature evolves structurally and thematically in response to different ideas and contexts. In this module we read short stories – and look at examples of visual art - from the eighteenth century to the present day to discover what structural and symbolic elements characterize major movements of Western art including the Enlightenment, Romanticism, Realism, Modernism and Postmodernism. All non-English-language texts are in English translation. These are explored both individually and in comparison, developing skills in close reading and comparative critical analysis and the ability to recognize and contrast different features of fiction and to situate evolving literary aesthetics in their historical context.

  • This module provides an account of some of the major theoretical trends and currents which inform our thinking and practice of Comparative Literature and Culture. Reading canonical and contemporary texts alongside each other, students will ask questions such as: How should we understand and respond to art in the twenty-first century? Who counts as a subject and how should we understand racial, sexual and species difference? And, how should we conceptualise culture in a globalised world?

Year 3

You will take two modules from the follow options:

  • Literature has a long history of multilingualism. Self-translated, bilingual texts were widespread in medieval and early modern Europe, where they connected Latin and the vernaculars. But the historic construction of nation-states imposed borders that were linguistic as well as geopolitical. Writing multilingually is never more important or more dangerous than when national borders are threatened by wars – or defended by walls. This module focuses on a range of writers and writing practices in a comparative manner: some were born into a bilingual culture and acquired two languages simultaneously; some, but not all, translate their own work. Others acquired their definitive literary language as adults, often as a result of migration or exile. You will look at how, in their literary endeavours, the featured authors used languages – English, French, German and Italian – other than their mother tongues, which they sometimes combined with their native ones and/or with other languages.

     

  • In this module, we will examine representations of human and animal life in twenty-first century fiction and thought. We will consider the ways in which the human-animal relation informs ideas of human identity, and explore the different literary techniques employed to represent animal life. We will ask questions such as: what does it mean to be human? What is the difference between animals and humans? And how can we understand and represent animal experience?

  • This module explores cinematic representations of the transnational encounter between people, cultures and institutions interconnected by the forces of globalization. The topics covered range from (anti-)colonialism and revolution to neo-colonialism, postcoloniality and migration. Attention is paid to the ways in which the films deal with the themes of emancipation, hybridity, displacement, global capitalism and politics, and cosmopolitanism. The module covers the development of transnational cinema from its origins with Third Cinema and then goes on to explore postcolonial and migration cinema covering areas ranging from South America and Africa to Europe.

  • The module examines in depth, and in relation to each other, artistic and literary movements prevalent in late-nineteenth and early-twentieth-century Italy and France. On this module you will analyse the contribution of the Decadentists and Symbolists, Futurists and Cubists to a variety of artistic disciplines in France, Italy and Europe.

Optional Modules

There are a number of optional course modules available during your degree studies. The following is a selection of optional course modules that are likely to be available. Please note that although the College will keep changes to a minimum, new modules may be offered or existing modules may be withdrawn, for example, in response to a change in staff. Applicants will be informed if any significant changes need to be made.

Year 1
  • This module examines images of French society through a selection of key literary texts and concentrates on how questions of social change, social mobility, success and failure, ambition and honour, oppression and alienation have been portrayed. Delivered by the appropriate specialist in the School of Modern Languages, the classes will offer a taste of the literature of the relevant periods, along with a discussion of its distinguishing stylistic features, and an overview of its intellectual, social, and historical background. Terms that often confuse or put off students new to literature (such as Romanticism, Realism, or Existentialism) will be explained and briefly contextualised. By the end of the module, students will have acquired an insight into a range of representative texts from a variety of periods and an understanding of the ideas and social structures they portray.

  • The visual image has always played an important role in society, as a source of enjoyment and pleasure, and also as a means of communicating values, celebrating beauty, shaping thought and challenging assumptions. This module aims to develop understanding of the ways the visual image functions and the concepts and techniques needed to analyse it.

  • This module will introduce students to key areas of interest in contemporary German Studies, including literature, film, and history.

  • The module presents key developments in German history through the lens of literature and the visual arts, in a lively and accessible way. Students will gain an insight into German culture and history from the Middle Ages to the present, and acquire skills and knowledge that will serve them throughout their degree. Works by numerous writers and artists will feature.

  • The first term begins with an introduction to themes and ideas in the literature of the Middle Ages – autobiography, love, writers and readers – to provide a firm basis for the study of the three great writers of the Italian Middle Ages. The module then continues with a brief introduction to Dante’s writings, and a close, detailed reading of his earliest work, the Vita Nuova in which he tells the story of his love for Beatrice. In the second term the module covers a selection of the stories from Boccaccio’s most famous work, the Decameron, and a selection of the poems Petrarch wrote for his lady, Laura, which later inspired lyric poetry all over Europe. Visual and dramatic interpretations of the work of these three authors will also be included in the module.

  • The module aims to focus on some of the symbolic passages in the process of nation-building in Italy in the 19th and 20th centuries, as Italy reached its unity only in 1861. Through the study of Foscolo’s Last Letters of Jacopo Ortis (1798), Collodi’s Pinocchio (1880), Calvino’s The Path to the Nest of Spiders (1947), and Tomasi di Lampedusa’s The Leopard (1958) the module aims to give students an understanding of how and why Italy was born so late as a political entity. By focussing on the different stages of the process of Nation building in Italy, the module also aims to make students aware of how Italy’s national identity developed: two books (Foscolo’s and Collodi’s) were written in the 19th century, and will help students to understand the pre-Risorgimento (the making of Italy), and the post-Risorgimento (the making of the Italians); whereas the other two books (Calvino’s and Tomasi’s) come from the 20th century, and will help students to understand the Resistenza (the making of the Republic), and the post-war Italy (the crisis of nationhood).

  • Students on this module will be introduced to some of the most important literary, visual and cinematic works from twentieth century Latin America. The works from selected writers pertaining to the Latin American Literary Boom will feature on this module, as well as some of the Nobel Prize winning poets from Latin America. Students on this module will be provided with samples of the artistic wealth (both in styles and techniques) from artists across the Latin American continent. Attention will be paid to the question of identity as reflected in the cinemas of Cuba and Mexico; two of the most important film industries from Spanish speaking America.

  • The module provides a selective but wide-ranging introduction to culture in the Hispanic world from the 15th to the 21st century. It explores a broad range of cultural manifestations from different socio-historical contexts both independently and comparatively from a topic-based perspective. Materials may include plays, narratives, poems, paintings, sculptures, musical compositions and architectural works, while topics may be drawn from (but not be limited to) the following: ‘Discovery’, ‘Destruction’, ‘Subversion’, ‘Self-fashioning’, ‘Power’ and ‘the Body’.

  • In this module you will develop an understanding of the key tenets of film theory and learn to apply these to a selection of important pre- and post-war European and international films. You will look at aspects of film style, genre and national and international contexts.You will consider canonical works from a century of cinema history by filmmakers such as Joseph von Sternberg, Alfred Hitchcock and Pedro Almodovar, and examine significant examples of technique and style.

  • The purpose of this module is to provide students with an introduction to the early phase of film history. Broadly speaking, the module will be concerned with the period between 1895 and the early 1930s, from the invention of motion pictures to the establishment of sound cinema. During this phase, film-making was largely national but the absence of the spoken word gave film a truly cosmopolitan dimension, with directors, actors and technical personnel moving freely across national boundaries. Nonetheless distinctive national film cultures emerged, with Italy specialising in dramas set in the ancient world, France making ample use of theatre and popular literature, Germany developing the new medium within broader artistic phenomena such as Expressionism, the Soviets pioneering political montage, and, of module, Hollywood, and its studio system, popularising stars and genres across the world.

  • This module will introduce students to a number of different media encountered in the study of visual culture. By understanding the technical characteristics of a range of art works students will be able to assess the expressive and stylistic possibilities of offered by different media. Students will study a rich variety of visual cultures in Europe and Latin America from the Middle Ages to the present day. Mediaeval illuminated manuscripts, mural decorations in Renaissance Italy, sculpture, photography and fashion and textiles will be among the media that will be the object of our analysis this year.

  • In this module you will develop an understanding of the origins, developments and innovations of the novel form. You will look at a range of contemporary, eighteenth and nineteenth-century novels and learn to use concepts in narrative theory and criticism. You will consider literary history and make formal and thematic connections between texts and their varying socio-cultural contexts. You will examine novels such as 'The Accidental' by Ali Smith, 'Things Fall Apart' by Chinua Achebe and 'North and South' by Elizabeth Gaskell, analysing their cultural and intellectual contexts.

  • This module will encourage you to look at the role of English literature in moments of social and historical crisis. You will encounter literature across different historical periods and geographies, challenging you to reflect on the complex relationship between literature, history and politics.

Year 2
  • This module draws on theories of both communication and translation, outlining key trends and tendencies within these fields. It explores the question of intercultural communication and its political, economic, and social implications. The aim throughout is to consider how meanings are carried between and affect different cultural contexts, undergoing shifts in the process, and broader questions of language and representation in a globalised world.

  • This module will focus on six novels dealing with the theme of transgression. It will also look at the genre of the novel and at whether the novels studied transgress its formal parameters. The module will be comparative in focus, studying the set texts not only individually, but also looking at thematic and formal convergences and divergences between them. The books to be studied will be: DH Lawrence, Lady Chatterley’s Lover; Alain Robbe-Grillet, La Jalousie/Jealousy; Vladimir Nabokov, Lolita; Esther Tusquets, Stranded; Emile Zola, Thérèse Raquin; Juan Rulfo, ‘Talpa’.

  • This module involves an examination of gender as it is expressed, maintained, or challenged by clothing. It investigates a variety of Anglophone, Francophone, and German-language twentieth-century texts, including novels, fine art, and film, in which clothing and gender are closely linked. The module introduces a range of experimental and challenging texts, encouraging critical and comparative thinking about the place of fashion and clothing in culture and society.

  • New World Literature
  • The end of the various colonial empires in the middle of the twentieth century saw an explosion of literatures from the newly emergent postcolonial societies. Rather than provide a survey of the field of postcolonial studies, this module aims at engaging the recent debates in postcolonial writing, theory and criticism. You will critically examine a range of postcolonial novels from Britain’s erstwhile empire, paying attention to issues such as the boons and contradictions of writing in the language of the colonial powers, the postcolonial reclamation of the Western canon etc. and focussing on genres such as postcolonial realism, modernism, magic realism, and science fiction. You will pay close attention to novels and their historical legacies of colonialism and resistance.

  • World-literature critics worry that queer theorists foist a Western, elitist approach to LGBTQ+ identities on to the rest of the world, that is, a Western homonormativity performs a similar role as the unequal distribution of power in a globalised world. Queer theorists, on the other hand, are anxious that queer perspectives get lost in world-literature theory and texts, which tend to, they argue, either privilege a masculine nationalist agenda or not pay enough attention to the effects of globalisation on local articulations of race, gender and sexuality. In this module you will explore this productive tension by paying close attention to variety of texts from around the world.

  • Religion and Society in the 16th- and 17th-Century Hispanic World
  • The module is divided into two parts, the first exploring crucial issues of filmmaking, film studies and the ‘transnational’ from the perspective of largely contemporary Latin American cinema, the second focusing on a range of European films from the 1970s to the present. The introductory two weeks of the module will introduce students to these concerns; the final two weeks of the module will bring both parts together and establish some conclusions (for example, what, if anything, constitutes a ‘European’ or ‘Latin American’ or ‘transnational’ film).

  • On this module students will examine the ways in which critical historical moments in Latin America have been represented visually in a global context. We will explore how political unrest in Latin America has been memorialised by both filmmakers and photographers, with the aim of re-thinking how global imaginaries concerning the rebel and revolution have been constructed in film and photography.

  • Visual Arts II: Genre and Movements
  • This year-long module examines key examples of French cinema from its beginnings to the present day, focusing on the avant-garde and surrealist films of the 1920s, social realist films of the 1930s, the New Wave which began in the late 1950s, and its ‘postmodern’ legacy in the 1980s followed by a return to realism in the new millennium. The module entails close, critical analysis of film style, though no prior knowledge of film theory is required.

  • This module introduces students of German and CLC to two key figures in twentieth-century German literature, Thomas Mann and Franz Kafka. Through an examination of the work of these writers, it explores such issues as the individual vs society, the role of the artist, and the nature of desire. Mann’s work evinces a fascination with disorder and decadence even as it remains bound to bourgeois ideals of respectability and sobriety. In Kafka’s work, the everyday world of bureaucracy and officialdom is invaded by fantastical and bizarre elements. The module focuses on the unsettling and disruptive elements of these writers’ works, asking what they tell us about life in the twentieth century.

  • Love and Marriage in Major Novels by Theodor Fontane
  • This module introduces students to a range of important texts and authors, both canonical and non-canonical, from early modern Spain and France. Yet it does so through a selection of outsider figures – characters whose aberrant or idiosyncratic identity, outlook, or behaviour sets them at odds with their society. The characters on this module thus challenge some of society’s most deeply entrenched but often unwritten codes – of reason, gender, decorum, sexuality, class, and religion – and can thus offer important insights into the workings and values of the society whose norms they transgress. As we shall see, though, the treatment of such figures can vary widely. Whereas the outsider’s departure from the norm is often apparently ridiculed or censured, it can sometimes be celebrated or rehabilitated – whether by other characters within the fiction or by the literary work itself. Indeed, the period’s fascination with marginal or transgressive characters and behaviour betrays throughout a deep unease about the validity of its own norms and standards.

Year 3
  • Literature has a long history of multilingualism. Self-translated, bilingual texts were widespread in medieval and early modern Europe, where they connected Latin and the vernaculars. But the historic construction of nation-states imposed borders that were linguistic as well as geopolitical. Writing multilingually is never more important or more dangerous than when national borders are threatened by wars – or defended by walls. This module focuses on a range of writers and writing practices in a comparative manner: some were born into a bilingual culture and acquired two languages simultaneously; some, but not all, translate their own work. Others acquired their definitive literary language as adults, often as a result of migration or exile. You will look at how, in their literary endeavours, the featured authors used languages – English, French, German and Italian – other than their mother tongues, which they sometimes combined with their native ones and/or with other languages.

     

  • In this module, we will examine representations of human and animal life in twenty-first century fiction and thought. We will consider the ways in which the human-animal relation informs ideas of human identity, and explore the different literary techniques employed to represent animal life. We will ask questions such as: what does it mean to be human? What is the difference between animals and humans? And how can we understand and represent animal experience?

  • World Literature Dissertation 5,000 words
  • World Literature Dissertation 10,000 words
  • Telling Food Stories About the World
  • The end of the various colonial empires in the middle of the twentieth century saw an explosion of literatures from the newly emergent postcolonial societies. Rather than provide a survey of the field of postcolonial studies, this module aims at engaging the recent debates in postcolonial writing, theory and criticism. You will critically examine a range of postcolonial novels from Britain’s erstwhile empire, paying attention to issues such as the boons and contradictions of writing in the language of the colonial powers, the postcolonial reclamation of the Western canon etc. and focussing on genres such as postcolonial realism, modernism, magic realism, and science fiction. You will pay close attention to novels and their historical legacies of colonialism and resistance.

  • World-literature critics worry that queer theorists foist a Western, elitist approach to LGBTQ+ identities on to the rest of the world, that is, a Western homonormativity performs a similar role as the unequal distribution of power in a globalised world. Queer theorists, on the other hand, are anxious that queer perspectives get lost in world-literature theory and texts, which tend to, they argue, either privilege a masculine nationalist agenda or not pay enough attention to the effects of globalisation on local articulations of race, gender and sexuality. In this module you will explore this productive tension by paying close attention to variety of texts from around the world.

  • Myths of Origins
  • African-American Literature
  • Special Author: Coetzee
  • Mythologies in 20th Century Literature
  • This module explores cinematic representations of the transnational encounter between people, cultures and institutions interconnected by the forces of globalization. The topics covered range from (anti-)colonialism and revolution to neo-colonialism, postcoloniality and migration. Attention is paid to the ways in which the films deal with the themes of emancipation, hybridity, displacement, global capitalism and politics, and cosmopolitanism. The module covers the development of transnational cinema from its origins with Third Cinema and then goes on to explore postcolonial and migration cinema covering areas ranging from South America and Africa to Europe.

  • The module examines in depth, and in relation to each other, artistic and literary movements prevalent in late-nineteenth and early-twentieth-century Italy and France. On this module you will analyse the contribution of the Decadentists and Symbolists, Futurists and Cubists to a variety of artistic disciplines in France, Italy and Europe.

  • This module explores how French novels and films of different genres and decades reflect, perpetuate and challenge the effects of fast-developing consumer capitalism and globalization on conceptions of identity between writers and artists over a century of experimentation.

  • Text and Image in France: from Cubism to the Present
  • The module examines murder and political uses of violence in twentieth-century French literary works and films, considering how far they can be explained or ever judged to be legitimate. The second half of the module studies some of the specific problems involved in understanding and representing the Holocaust.

  • This module highlights the interventions of women writers and artists in Dada and Surrealism during the early decades of the 20th Century in France. The first half of the module introduces ideas around feminism, women in art, and women’s writing, with an aim to equip you with a foundation in theory. Selected key readings, available on Moodle, provide a basis for class discussions. In the second half of the module, you look in detail at work by individual artists and writers, including literary texts (poems, narratives and manifestos) and artworks (collages, paintings and photographs). Because it draws on recent and ongoing scholarship and curation, and because many of these women are little-known, the topic leaves considerable scope for original comment and research.

  • Redefining the Erotic
  • This module will explore the idea of the self as it is defined and expressed in literary works in German. From Goethe's canonical Werther via Schnitzler, Hesse, Bachmann and Handke, right up to contemporary writings by Karen Duve and Birgit Vanderbeke, German literature is always bound up with notions of identity.

  • In this module we want to focus on German Romanticism's fascination with what was perceived as the "night side" of (human) nature. In response to the Enlightenment's belief in rationality and objectivity Romantic writers tended to explore the more subjective and irrational aspects of life, like emotions and imagination, but also more unsettling psychological phenomena like dreams, hallucinations and mental illness.

  • This module will introduce you to one of the most crucial and controversial subjects in modern German history, society and culture. You will study a broad range of examples of the visual representation of National Socialism as an ideology, a political movement and a 'national' phenomenon, from the 1930s to the present day. You will think about the changing ways in which Germany has sought to deal with the legacy and memory of Hitler's regime.

  • On this module students will learn how to identify some of the traits of contemporary Mexican cinema, a period of filmmaking which has been recognised as one of the most fruitful in cinematic history. The films selected for analysis on this module will be examined within the context of contemporary Mexico: an era rife with socio-political unrest. We will learn how political corruption, social violence and the recent Drug Wars have shaped the narratives of the films we will explore, and how these issues have dictated the emergence of new filmic genres. Students will learn about how youth culture and its manifestations are explored in film and will be able to place the films studied in their socio-historic contexts.

  • On this module students will explore the horror genre by exploring a broad range of films made in Spain and Latin America. Following an introduction to horror filmmaking, we will analyse texts in relation to horror’s numerous subgenres (gothic, physiological, psychological, science fiction, zombie etc.) and will learn both how to identify different types of horror film as well as to situate them in the history of horror filmmaking.

  • This module introduces students to a range of important texts and authors, both canonical and non-canonical, from early modern Spain and France. Yet it does so through a selection of outsider figures – characters whose aberrant or idiosyncratic identity, outlook, or behaviour sets them at odds with their society. The characters on this module thus challenge some of society’s most deeply entrenched but often unwritten codes – of reason, gender, decorum, sexuality, class, and religion – and can thus offer important insights into the workings and values of the society whose norms they transgress. As we shall see, though, the treatment of such figures can vary widely. Whereas the outsider’s departure from the norm is often apparently ridiculed or censured, it can sometimes be celebrated or rehabilitated – whether by other characters within the fiction or by the literary work itself. Indeed, the period’s fascination with marginal or transgressive characters and behaviour betrays throughout a deep unease about the validity of its own norms and standards.

  • Though considered for long less attractive than Inferno, Purgatorio and Paradiso are the two canticles where Dante's design of the afterlife comes to completion. The Divine Comedy cannot be comprehended but through a close reading of the poem as a whole. This module aims to explore Dante's full vision of the otherworld.

  • Of Women, Knights, Weapons and Loves: the Italian Chivalric Tradition
  • The module brings together the study of the topics of fascism, organised crime and post-war and contemporary terrorism in Italy through film narrative. Students will be presented with the key ideological, social and political issues to be explored in films, that is, violence as a means to both assert and undermine State authority through dictatorial, criminal, and terroristic power. Students will study films such as Bertolucci’s Il conformista (The Conformist,1970), Bellochio’s Buongiorno notte (Good Morning, Night, 2003), Giordana’s I cento passi (The Hundred Steps, 2000), Garrone’s Gomorra (2008), Sorrentino’s Il divo (2008).

  • The module explores the role of fashion and design in Italy in the period 1945-1994. We look at the ways in which design and fashion interacted with major economic, cultural and societal trends. The first part of this module focuses on Italian design in the postwar period, with particular emphasis on the development of furniture, interior, and industrial design. The work of a number of architects/designers such as Gio Ponti, the Castiglioni brothers, Ettore Sottsass and Alessandro Mendini are analysed in detail. The analysis of Italian fashion focuses on the creation of the so-called ‘Italian style’ and on the passage from couture fashion to the ready-to-wear industry of the late 20th century with a particular focus on the work of Emilio Pucci, Gianni Versace and Giorgio Armani.

     

Royal Holloway’s unique BA in World Literatures and Comparative Literature and Culture provides students new skills and critical perspectives that will inform their studies through core courses. These explore important global debates around and theoretical approaches to Comparative Literature and World Literature and exemplify them with an exciting range of literary and cultural examples from across the world and comprise 50% of the modules in first year and a further 30% in second year. Alongside these foundations students choose from options from across the world and from Ancient Greece to the twenty-first century along with the opportunity to explore visual arts and philosophy as well as literature. Final year gives complete freedom to choose from a great range options, including opting to write a substantial, research-led dissertation on a topic of choice, working one-to-one with an expert supervisor. Our options draw on the breadth of expertise of Royal Holloway’s highly-rated Departments of Languages, Literatures and Cultures and of English. To help with choices and studies, all students have a Personal Tutor to guide them.  

Students take a balanced selection of courses in each Department which have been carefully selected and designed to facilitate and provoke thought on issues of text, authorship and production in the context of global literatures and cultures. An optional dissertation is available in Year 3 of the degree. We use a range of teaching methods (lectures; seminars; tutorials, one-to-one; group work and independent study), and contact hours are around 10 per week). Teaching and assessment methods reflect the contemporary nature of the debates and questions of cultural difference involved in the degree as well as engaging with different kinds of learning styles and include reflective portfolios, learning journals, group tasks, presentations and development of digital and editorial content.  

A Levels: ABB-BBB

Required subjects:

  • At least five GCSEs at grade A*-C or 9-4 including English and Mathematics.

Where an applicant is taking the EPQ alongside A-levels, the EPQ will be taken into consideration and result in lower A-level grades being required. For students who are from backgrounds or personal circumstances that mean they are generally less likely to go to university you may be eligible for an alternative lower offer. Follow the link to learn more about our contextual offers. 

English language requirements

All teaching at Royal Holloway (apart from some language courses) is in English. You will therefore need to have good enough written and spoken English to cope with your studies right from the start.

The scores we require
  • IELTS: 6.5 overall. Writing 7.0. No other subscore lower than 5.5.
  • Pearson Test of English: 61 overall. Writing 69. No other subscore lower than 51.
  • Trinity College London Integrated Skills in English (ISE): ISE III.
  • Cambridge English: Advanced (CAE) grade C.

Country-specific requirements

For more information about country-specific entry requirements for your country please visit here.

Undergraduate Pathways

For international students who do not meet the direct entry requirements, the International Study Centre offers the following pathway programmes:

International Foundation Year - for progression to the first year of an undergraduate degree.

International Year One - for progression to the second year of an undergraduate degree. You can join the International Year One in January 2021 and progress to degree study in September 2021.

As a culturally-aware, creative and adaptable thinker, graduating from Royal Holloway will help you stand out in a crowded global marketplace.

Students of Comparative Literature and Culture are attractive to employers because they think quickly and flexibly, communicate effectively, have a rich cultural and transnational awareness and the ability to analyse closely and range broadly.

By the time you graduate, you will have:

  • developed your critical and analytical thinking and expression
  • learned to analyse, evaluate and process effectively many different kinds of information
  • honed impressive written and oral communication skills
  • enhanced your ability to solve problems in sophisticated and flexible ways
  • developed independent research skills
  • acquired teamwork and leadership skills that are highly valued by prospective employers
  • gained a critical appreciation of cultural life and cultural diversity

We work closely with Royal Holloway’s Careers and Employability Service to provide tailored events which get you thinking about life after you graduate. These range from one-to-one advice from our subject consultant, to a variety of talks and industry-themed careers weeks.

Our highly-successful micro-placement scheme will help you to fine-tune your job-seeking skills and boost your careers by enabling you in your second year to compete for a prestigious two-week internship, offering you the chance to gain invaluable experience and network with prospective employers.

You may also like to take advantage of other work experience opportunities, for example by participating in Royal Holloway’s Community Action volunteering programme or by becoming a Student Ambassador. Your Personal Advisor will be on hand to support you as you decide on your career path.

On graduation, you will be ready to pursue a career in a wide range of areas including publishing, marketing, the media, journalism, arts administration, fashion, international management, the civil service, accountancy or teaching.  Alternatively, you may choose to continue your studies.

Home (UK) students tuition fee per year*: £9,250

EU and International students tuition fee per year**: £18,800

Other essential costs***: There are no single associated costs greater than £50 per item on this course.

How do I pay for it? Find out more about funding options, including loansscholarships and bursaries. UK students who have already taken out a tuition fee loan for undergraduate study should check their eligibility for additional funding directly with the relevant awards body.

*The tuition fee for UK undergraduates is controlled by Government regulations. For students starting a degree in the academic year 2020/21, the fee will be £9,250 for that year. The fee for UK undergraduates starting in 2021/22 has not yet been confirmed.

**The Government has confirmed that EU nationals starting a degree in 2020/21 will pay the same fee as UK students for the duration of their course. For EU nationals starting a degree in 2021/22, the UK Government has recently confirmed that you will not be eligible to pay the same fees as UK students, nor be eligible for funding from the Student Loans Company. This means you will be classified as an international student. At Royal Holloway, we wish to support those students affected by this change in status through this transition. For eligible EU students starting their course with us in September 2021, we will award a fee reduction scholarship which brings your fee into line with the fee paid by UK students. This will apply for the duration of your course.

Fees for international students may increase year-on-year in line with the rate of inflation. The policy at Royal Holloway is that any increases in fees will not exceed 5% for continuing students. For further information see fees and funding and our terms and conditions. Fees shown above are for 2020/21 and are displayed for indicative purposes only.

***These estimated costs relate to studying this particular degree programme at Royal Holloway. Costs, such as accommodation, food, books and other learning materials and printing etc., have not been included.

Comparative Literature and Culture Undergraduate Admissions

 

 

 

Admissions office: +44 (0)1784 414944

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