Duration: 3 years full time
UCAS code: Q8Q2
Institution code: R72
Classical Studies and Comparative Literature and Culture (BA)
Studying a Joint Honours degree in Classical Studies and Comparative Literature and Culture allows you to examine both ancient and modern culture through a variety of texts and media, all taught using their modern English translations.
If you are captivated by classical literature and philosophy and are keen to understand more about ancient history and classical archaeology, Classical Studies is ideal.
Classical Studies offers a great deal of choice in subjects related to the ancient world, immersing you in lots of aspects of ancient Greece and Rome – its literature, history, philosophy and archaeology – even its languages; Greek and Latin can be studied at whatever level you’re at and for one, two or three years.
As a student of Classical Studies you will be part of our Classics Department, where the quality of research that informs our teaching and a friendly, individual approach which shapes the way we guide our students combine to create an unbeaten academic experience.
Comparative Literature and Culture (CLC) offers you the opportunity to study global literature as well as to explore film, philosophy and visual arts. CLC combines a fascinating breadth of material with a focus on contexts – places, periods, and genres – to explore how key cultural shifts transform how we see, represent, and make sense of our changing world. CLC at Royal Holloway is a unique and intellectually stimulating degree which will develop you as a culturally-aware, creative and adaptable thinker.
We’ve developed this degree so that you can tailor it to suit your own evolving interests, choosing from our exceptionally wide range of fascinating options, ranging across continents and centuries, from antiquity to the present day, novels and poetry to philosophy, cinema and art. We will read, watch, and compare from Ancient Greece to contemporary New York, from Cuba to Korea, from epics to crime fiction, and from tragedy to the avant-garde. CLC enables you to study texts originally written in many languages, all translated into in English.
- Optional language modules in Greek or Latin.
- Analyse the cultural, social and political contexts of the ancient world.
- Gain global cultural awareness and an internationally prestigious degree.
- Become a creative, flexible and critical thinker.
- Shape your programme according to your own interests.
From time to time, we make changes to our courses to improve the student and learning experience. If we make a significant change to your chosen course, we’ll let you know as soon as possible.
This module introduces students to the theories and practices of textual analysis and comparative textual analysis as well as to the major debates about theories and practices of comparative literature in a transnational context. Students will read a small number of core literary texts - influential within comparatism and diverse in cultural, temporal and linguistic origin - alongside a range of historically, geographically, culturally, generically and stylistically varied textual extracts. The core literary texts will be read in their entirety, with particular attention to: the construction and interpretation of genre; transnationalism and translation; cultural and historical context; and questions of authorship, influence and canonicity.
This module introduces students to a range of literary and filmic texts depicting different aspects of the city. The focus on a common thematic ground allows students to develop skills of comparison and analysis, while also exposing them to, and encouraging them to reflect on, wider questions of urban space, public and private spheres, and alterity. The works to be studied on the city explicitly engage with three periods and aspects of the modern city: early twentieth-century modernity, urban development and planning, modernist architecture; post-war industrialisation and urbanisation; and the contemporary transnational metropolis and multiculturalism. In all the periods, the focus will be on how the films articulate the following themes: money/poverty, technology, migration, crime, gender and sexuality.
Comparing short stories from different periods and geographical areas is a great way of exploring how literature evolves structurally and thematically in response to different ideas and contexts. In this module we read short stories – and look at examples of visual art - from the eighteenth century to the present day to discover what structural and symbolic elements characterize major movements of Western art including the Enlightenment, Romanticism, Realism, Modernism and Postmodernism. All non-English-language texts are in English translation. These are explored both individually and in comparison, developing skills in close reading and comparative critical analysis and the ability to recognize and contrast different features of fiction and to situate evolving literary aesthetics in their historical context.
This module provides an account of some of the major theoretical trends and currents which inform our thinking and practice of Comparative Literature and Culture. Reading canonical and contemporary texts alongside each other, students will ask questions such as: How should we understand and respond to art in the twenty-first century? Who counts as a subject and how should we understand racial, sexual and species difference? And, how should we conceptualise culture in a globalised world?
You will take two from the following:
The module is divided into two parts, the first exploring crucial issues of filmmaking, film studies and the ‘transnational’ from the perspective of largely contemporary Latin American cinema, the second focusing on a range of European films from the 1970s to the present. The introductory two weeks of the module will introduce students to these concerns; the final two weeks of the module will bring both parts together and establish some conclusions (for example, what, if anything, constitutes a ‘European’ or ‘Latin American’ or ‘transnational’ film).
This module involves an examination of gender as it is expressed, maintained, or challenged by clothing. It investigates a variety of Anglophone, Francophone, and German-language twentieth-century texts, including novels, fine art, and film, in which clothing and gender are closely linked. The module introduces a range of experimental and challenging texts, encouraging critical and comparative thinking about the place of fashion and clothing in culture and society.
This module will focus on six novels dealing with the theme of transgression. It will also look at the genre of the novel and at whether the novels studied transgress its formal parameters. The module will be comparative in focus, studying the set texts not only individually, but also looking at thematic and formal convergences and divergences between them. The books to be studied will be: DH Lawrence, Lady Chatterley’s Lover; Alain Robbe-Grillet, La Jalousie/Jealousy; Vladimir Nabokov, Lolita; Esther Tusquets, Stranded; Emile Zola, Thérèse Raquin; Juan Rulfo, ‘Talpa’.
- Visual Arts II: Genre and Movements
This module introduces students to a range of important texts and authors, both canonical and non-canonical, from early modern Spain and France. Yet it does so through a selection of outsider figures – characters whose aberrant or idiosyncratic identity, outlook, or behaviour sets them at odds with their society. The characters on this module thus challenge some of society’s most deeply entrenched but often unwritten codes – of reason, gender, decorum, sexuality, class, and religion – and can thus offer important insights into the workings and values of the society whose norms they transgress. As we shall see, though, the treatment of such figures can vary widely. Whereas the outsider’s departure from the norm is often apparently ridiculed or censured, it can sometimes be celebrated or rehabilitated – whether by other characters within the fiction or by the literary work itself. Indeed, the period’s fascination with marginal or transgressive characters and behaviour betrays throughout a deep unease about the validity of its own norms and standards.
You will take two from the following:
The module examines in depth, and in relation to each other, artistic and literary movements prevalent in late-nineteenth and early-twentieth-century Italy and France. On this module you will analyse the contribution of the Decadentists and Symbolists, Futurists and Cubists to a variety of artistic disciplines in France, Italy and Europe.
- The Gothic Mode in Spanish and English Fiction
- Trends in Contemporary Theory
This module explores cinematic representations of the transnational encounter between people, cultures and institutions interconnected by the forces of globalization. The topics covered range from (anti-)colonialism and revolution to neo-colonialism, postcoloniality and migration. Attention is paid to the ways in which the films deal with the themes of emancipation, hybridity, displacement, global capitalism and politics, and cosmopolitanism. The module covers the development of transnational cinema from its origins with Third Cinema and then goes on to explore postcolonial and migration cinema covering areas ranging from South America and Africa to Europe.
- Postcolonial Literatures
In this module, we will examine representations of human and animal life in twenty-first century fiction and thought. We will consider the ways in which the human-animal relation informs ideas of human identity, and explore the different literary techniques employed to represent animal life. We will ask questions such as: what does it mean to be human? What is the difference between animals and humans? And how can we understand and represent animal experience?
For more information on optional modules available as part of the CLC part of your course, please see the list here.
Teaching & assessment
The course has a modular structure. You will take 120 credits’ worth of modules each year, including both core courses to develop your critical skills, and optional course units.
You will be taught through a mixture of lectures, seminars and individual tutorials, depending on the subjects studied. Outside classes, you will undertake group projects and wide-ranging but guided independent study, including completing language exercises and reading prescribed and open material. Private study and preparation are essential parts of every course, and you will have access to many online resources and the University’s comprehensive e-learning facility, Moodle. When you start with us, you are assigned a Personal Tutor to support you academically and personally.
You will also take a study skills module during your first year, designed to equip you with and enhance the writing skills you will need to be successful in your degree. This module does not count towards your final degree award but you are required to pass it to progress to your second year.
In your final year the Classics department provides ongoing support for your dissertation work, which usually includes:
- Lectures and practical sessions on Dissertation Research Methods e.g. planning your topics, carrying out research, using specialist resources, finding information in print and online, and managing your search results and references. These sessions are run in conjunction with the Library Service and are generally also open to second year students.
- Short departmental writing ‘surgeries’, in which academic staff offer general writing support if you are experiencing problems and/or if you have specific queries.
Assessment is by a mixture of coursework and end-of-year examination in varying proportions, depending on the course units you choose to take.
A Levels: ABB-BBB
- At least five GCSEs at grade A*-C or 9-4 including English and Mathematics.
Where an applicant is taking the EPQ alongside A-levels, the EPQ will be taken into consideration and result in lower A-level grades being required. For students who are from backgrounds or personal circumstances that mean they are generally less likely to go to university, you may be eligible for an alternative lower offer. Follow the link to learn more about our contextual offers.
We accept T-levels for admission to our undergraduate courses, with the following grades regarded as equivalent to our standard A-level requirements:
- AAA* – Distinction (A* on the core and distinction in the occupational specialism)
- AAA – Distinction
- BBB – Merit
- CCC – Pass (C or above on the core)
- DDD – Pass (D or E on the core)
Where a course specifies subject-specific requirements at A-level, T-level applicants are likely to be asked to offer this A-level alongside their T-level studies.
English language requirements
All teaching at Royal Holloway (apart from some language courses) is in English. You will therefore need to have good enough written and spoken English to cope with your studies right from the start.
The scores we require
- IELTS: 6.5 overall. Writing 7.0. No other subscore lower than 5.5.
- Pearson Test of English: 61 overall. Writing 69. No other subscore lower than 51.
- Trinity College London Integrated Skills in English (ISE): ISE III.
- Cambridge English: Advanced (CAE) grade C.
For more information about country-specific entry requirements for your country please visit here.
Undergraduate preparation programme
For international students who do not meet the direct entry requirements, for this undergraduate degree, the Royal Holloway International Study Centre offers an International Foundation Year programme designed to develop your academic and English language skills.
Upon successful completion, you can progress to this degree at Royal Holloway, University of London.
Your future career
Our degree courses not only promote academic achievement but also the means to hone the life-skills necessary to excel, post-graduation.
Studying Classics involves analysing the cultural, social and political context of the ancient world. By choosing to study this intellectually demanding discipline you will develop a broad range of skills which are highly prized by employers, including:
- the ability to communicate views and present arguments clearly and coherently
- the ability to critically digest, analyse and summarise content
- time management and the discipline to meet deadlines
- organisation and research skills
- problem-solving skills and capability
Being able to understand and process complex issues, to critically evaluate resources and construct coherent arguments both verbally and in writing is why many Royal Holloway classicists become employed in law, marketing, publishing, the media, government and finance. Employers like Channel 4, multinational law firm SJ Berwin, The Guildhall (City of London), accountancy firm KPMG, the Natural History Museum, Customs and Immigration, London Advertising, Broadstone Pensions and Investments and the Armed Forces have all recently recruited Royal Holloway alumni from the Department of Classics.
Fees, funding & scholarships
Home (UK) students tuition fee per year*: £9,250
EU and international students tuition fee per year**: £23,800
Other essential costs***: There are no single associated costs greater than £50 per item on this course
How do I pay for it? Find out more about funding options, including loans, scholarships and bursaries. UK students who have already taken out a tuition fee loan for undergraduate study should check their eligibility for additional funding directly with the relevant awards body.
*The tuition fee for UK undergraduates is controlled by Government regulations. For students starting a degree in the academic year 2024/25, the fee is £9,250 for that year.
**This figure is the fee for EU and international students starting a degree in the academic year 2024/25
Royal Holloway reserves the right to increase tuition fees annually for overseas fee-paying students. Please be aware that tuition fees can rise during your degree. The upper limit of any such annual rise has not yet been set for courses starting in 2024 but will advertised here once confirmed. For further information see fees and funding and our terms and conditions.
***These estimated costs relate to studying this particular degree at Royal Holloway during the 2024/25 academic year, and are included as a guide. Costs, such as accommodation, food, books and other learning materials and printing etc., have not been included.