Skip to main content

Talk by Elizabeth Llewellyn

BREAKING WAVES - Black Womxn in the Performing and Digital Arts

Book tickets
  • Date 26 Feb 2021
  • Time 5pm-6.30pm
  • Category Seminar

Elizabeth Llewellyn, Soprano

Sign up here by Thursday 25 February to receive the Zoom link: tinyurl.com/2f5l7ttf

London-born soprano Elizabeth Llewellyn studied at the Royal Northern College of Music and the National Opera Studio, supported by the Peter Moores Foundation. After completing the ENO Opera Works training programme, she created the role of Ludovina in the premiere of Glyndebourne Festival’s new opera The Yellow Sofa.

Elizabeth made her operatic debut as Mimì in Jonathan Miller’s production of La Bohème at the English National Opera, which led to her being named as “Best newcomer in opera in 2010” by The Telegraph. She returned to the ENO the following year, stepping-in on opening night as the Countess in their new production of The Marriage of Figaro, directed by Fiona Shaw; a role which earned her uniformly glowing reviews.

Elizabeth begins the 20-21 season with her company debut with Scottish Opera, singing Mimì in a socially distanced outdoor production of La Bohème - one of the first operas to be staged in the UK following the Covid-19 crisis. She also sings Mozart Requiem at the London Coliseum for English National Opera’s first live indoor performance since lockdown, and will return to ENO to make her debut in the role of Ellen Orford Peter Grimes. Later this season Elizabeth releases her debut solo album Songs of the Heart and Hereafter, alongside pianist Simon Lepper, focusing on the work of Samuel Coleridge-Taylor and his contemporaries. Prior to the release, Elizabeth will perform the programme in recitals at Snape Maltings in Aldeburgh and for her Wigmore Hall debut, broadcast online and on BBC Radio 3 live in-concert. Further performances this season include ‘Easter Hymn’ from Cavalleria Rusticana with Opera North in a live broadcast from Leeds Town Hall, and Bess Porgy & Bess in a semi-staged production at the Elbphilharmonie Hamburg.

In 2018 Elizabeth made her US debut with Seattle Opera as Bess in Gershwin’s Porgy and Bess, a role that she went to sing in her house debut at the Metropolitan Opera last season. In more recent years, Elizabeth has established herself as a notable lyrico spinto soprano, singing the title roles in Verdi’s Luisa Miller for English National Opera, Aida at the Theater Bielefeld, Manon Lescaut with Opera Holland Park, as well as Puccini’s Tosca and the role of Elsa in Wagner’s Lohengrin, both at the Theater Magdeburg, Germany. Elizabeth was also nominated for “Singer of the Year 2013” in OpernWelt magazine for her portrayal of Amelia Grimaldi in Simon Boccangera; a role she later performed with Sir Mark Elder and the Hallé Orchestra. Elizabeth also sang the title role of Suor Angelica and Giorgetta Il Tabarro for the Royal Danish Opera, and returned there to make her acclaimed debut in the title role of Madama Butterfly. Other roles include Margherita/Elena in Boito’s Mefistofele with Chelsea Opera Group. Magda de Civry La Rondine (Opera Holland Park); Fiordiligi Così fan tutte (Theater Magdeburg; Opera Holland Park), Contessa Le Nozze di Figaro (ENO; Opera Holland Park); Governess The Turn of the Screw (Arcola Theatre); Donna Elvira Don Giovanni (Theater Magdeburg; Bergen National Opera); Bess Porgy and Bess (Royal Danish Opera); title role in The Merry Widow (Cape Town Opera) and the title role in The Iris Murder (Hebrides Ensemble).

Elizabeth’s concert appearances have included Beethoven’s Missa Solemnis with the BBC Symphony Orchestra and Richard Farnes, a Rosenblatt Recital, Mahler’s Symphony No. 8 with Esa-Pekka Salonen, Verdi Requiem, Britten War Requiem, Tippett A Child of Our Time with Ryan Wigglesworth, a Gala Concert with Joseph Calleja recorded for Classic FM, and a live performance of Strauss Vier Letzte Lieder on BBC Radio 3 with Donald Runnicles/BBC Scottish Symphony Orchestra. Recently, Elizabeth has recorded Vaughan Williams A Sea Symphony with BBC Symphony Orchestra, and the role of Eigen in Elgar’s Caractacus for Hyperion, both under the baton of Martyn Brabbins. Elizabeth won the inaugural Voice of Black Opera Competition / Sir Willard White Award in 2009, and she was the opera nominee for the prestigious Breakthrough Award at the 2013 Times/Sky Arts Southbank Awards.
Elizabeth Llewellyn.png

Related topics

Explore Royal Holloway

Get help paying for your studies at Royal Holloway through a range of scholarships and bursaries.

There are lots of exciting ways to get involved at Royal Holloway. Discover new interests and enjoy existing ones.

Heading to university is exciting. Finding the right place to live will get you off to a good start.

Whether you need support with your health or practical advice on budgeting or finding part-time work, we can help.

Discover more about our 21 departments and schools.

Find out why Royal Holloway is in the top 25% of UK universities for research rated ‘world-leading’ or ‘internationally excellent’.

Royal Holloway is a research intensive university and our academics collaborate across disciplines to achieve excellence.

Discover world-class research at Royal Holloway.

Discover more about who we are today, and our vision for the future.

Royal Holloway began as two pioneering colleges for the education of women in the 19th century, and their spirit lives on today.

We’ve played a role in thousands of careers, some of them particularly remarkable.

Find about our decision-making processes and the people who lead and manage Royal Holloway today.