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CVC People

The Centre for Visual Cultures sits within the Department of Languages, Literatures and Cultures. Find out more about the academics involved.

Image from Creating Audio Description online course developed by Professor Hannah Thompson: ‘Some people would describe this as an image showing a person covering first their ears, then their eyes, then their mouth with their hands. Other people would say it shows a woman, a black woman or a young black woman. The questions these choices raise are the focus on this course.’ 

Advisory Committee:

Prof Daniela Berghahn (Media Arts, RHUL)

Tamsyn Challenger (artist) Read profile

Prof Jane Davison (Management, RHUL)

Prof Harriet Hawkins (Geography, RHUL)

Dr Laura MacCulloch (College Curator, RHUL)

Dr Emanuela Patti (Modern Languages, U. of Birmingham) Read profile

Dr John Perivolaris (Photographer) Read profile

Dr Henry Somers-Hall (Philosophy, RHUL)

Prof Joanna Zylinska (Goldsmiths, U. of London) Read profile

Honorary Research Fellow: 

Dr Harriet O'Neill (Assistant Director for the Humanities and Social Sciences, British School at Rome)

Martina is a PhD researcher in Italian. 

‘My PhD aims to formulate a comprehensive analysis of the role of the observer in Italian kinetic and programmed artworks, as well as of the concept of programming itself, whose existence is entwined with the observer’s interaction. This research dissects the relationships between the observer, the programming activity and the role of dynamism from different points of view to widen its multidisciplinary approach. More generally, I have a keen interest in the Italian cultural history of the Sixties and in the key figure of Bruno Munari. In these years at Royal Holloway I have had the opportunity to collaborate in the creation of new teaching experiences to combine the study of the Italian language with that of the visual arts, as well as in the development of new teaching methods that are characterised by an approach linked to artistic curatorship.’ 

Image shows a curatorial activity with printed images of artworks on a table being arranged by hands coming in from the right

Image shows students engaged with a curatorial activity about Italy in the 1960s organised by Professor Giuliana Pieri with the collaboration of Martina Borghi.

Read Martina’s profile

Matt is writing his PhD thesis on the relationship between visual cultures and philosophies of becoming. 

Read Matt’s profile

Ruth’s research brings together her interests in food culture, consumer culture, globalisation and postcolonial marketplaces. Using an innovative critical concept - ‘leftovers’ - which draws on theoretical concepts which use or are legible through food and drink, she draws out the untapped critical potential of representations of food and drink in literature and cinema. 
She has published widely interpreting images of food and consumption in French films including Sylvain Chomet, Les Triplettes de Belleville/Belleville Rendezvous (2003); Claire Denis, Chocolat/Chocolate (1988); Marco Ferreri, La Grande bouffe/The Big Feast (1973); François Truffaut, Les 400 coups/The 400 Blows (1959); Michael Haneke,Caché/Hidden (2005); Jean-Pierre Jeunet, Le Fabuleux destin d’Amélie Poulain/Amélie; Luc Moullet, Genèse d’un repas/The Origins of a Meal (1978); Agnès Varda, Les Glaneurs et la glaneuse/The Gleaners and I (2000) and L’Opéra-Mouffe/Diary of a Pregnant Woman (1958). 

Her future research plans include bringing the concept of ‘leftovers’ to bear on an intermedia exploration of the untapped meanings bound up with representations of food and drink in French still-life painting and photography.

Read her profile

Kate is writing her PhD thesis on the expressions of craft in Italian avant-garde art and design from the 1960s and 1970s.

Read Kate’s profile

Katie is writing her PhD thesis on 'The "lost work" of French film director Paule Delsol'.

Read Katie’s profile

Fabrizio’s interdisciplinary research crosses literature and intellectual history and is firmly rooted in postcolonial studies.

He is the author of Italian Orientalism: Nationhood, Cosmopolitanism and the Cultural Politics of Identity (2019) and has published extensively on British and Italian colonial cultures and racial ideologies. He has also worked on contemporary Italian fiction and has an interest in literary and cinematic representations of migration. Fabrizio is currently working on a new comparative project on Exophonic literature in English and Italian.

Read Fabrizio’s profile.

Ilham is writing her PhD thesis on madness and colonialism in African literature. 

Ash is writing his PhD thesis on philosophy and psychoanalysis, in particular the logic of fantasy as presented by Lacan in his fourteenth seminar.

Read Ash’s profile.

Miriam's research focuses on postmodern geographies in Latin American film and feminist studies.

Her specialist area is Mexican cinema and visual culture, and she has published widely on the topic of Mexican photography and film. 

Read Miriam’s profile.

Caroline is a PhD researcher in Poetic Practice and Research Centre Associate for the Centre for Visual Cultures.

‘My PhD focuses on the poetics of deer – I’m looking at what we do when we put deer in poems, and how that relates to the ways people view real deer. I am interested in ecological philosophy, material poetries and the emerging field of Cute Studies, and am co-organiser of AWW-STRUCK: Creative and Critical Approaches to Cuteness. My recent published work includes the poetry pamphlets SCRUB Management Handbook No.1 Mere (Singing Apple Press), Type Flight and Cut-out Bambi (Small Birds Press) and article ‘Movable Type: Birds, Thoughts, Print’ (in The Blue Notebook: Journal for Artist’s Books).’

A tangle of coloured ribbon necklaces with typewritten poem lines and bell and deer charms.

Image shows Clootie Collars (2021), a series of ribbon collars with typewritten poem lines exhibited on Poem Atlas

Read Caroline’s profile

As well as being a founding member of the Centre for Visual Cultures, Ruth is Director of the Humanities and Arts Research Institute.

‘My research interests are in comparative treatments of radical women artists, writers and performers that span geographies and genres, moments and movements. My specialism is the European avant-garde, specifically Dada, and I am author of the monographs Dada’s Women (Yale University Press, 2009) and The Poetry of Céline Arnauld: From Dada to Ultra-Modern (Legenda, 2020).

I have worked with public institutions including The National Theatre, Southbank Centre and Tate Exchange in London, Hatton Gallery in Newcastle and Wasps Studio in Glasgow. Beyond the UK, I have collaborated on exhibitions, catalogues and events in Denmark, Italy, Switzerland, and Norway. My work forms an Impact Case Study for REF 2021 entitled ‘Dada's Women: Legacies at the Dada Centenary and Beyond’.’


From left, Dr Ruth Hemus, collage that reads ‘theatre seat / eating at the Oscar- / void? / Should it be controlled,” / according to / The Vera Drake / isn't in the logging / Potter star, / and Harry / is she right?’ (some text not readable), person with beard and glasses holding collage

Image shows Dr Ruth Hemus at one of the creative and collaborative events organised with Sonia Allori and Vaia Paziana. See the Dada’s Women website

Image credit: Andrew Mitchell. 

Read Ruth’s profile

Jon is a specialist in modern German and Austrian film, literature and print media with a particular interest in the Weimar Republic, the anti-Fascist exile and Nazi Germany. He also researches the history of sport and cultural responses to sport and leisure in the German-speaking countries. In 2017 he published an interdisciplinary monograph on the cultural, social and political significance of the legendary German boxer Max Schmeling (1905-2005), examining a broad range of textual and visual media. In his current research he is investigating the representation of leisure in German literature and film.

Read Jon’s profile

Marion specialises in author legacies and media history. Since her doctoral thesis (2011-2014, MIC Limerick funding award) on the media image of the playwright and poet Casimir Delavigne (1793-1843), she has developed skills in photographing 19th-century manuscripts and authentic letters written by famous artists and political figures of the time. She is also interested in how fashion from the Romantic era is depicted in the press.

In 2015, she participated in the organisation of the conference ‘Voyage’ on la Bande Dessinée, which was the Sixth International Graphic Novel and Comics Conference and Ninth International Bande Dessinée Society Conference.

She contributed to the online exhibition ‘Napoleon’s last stand: Popular Reactions to Napoleon’s 100 days in Print, Satire, Song and Theatre’ (Warwick Digital Humanities). Her contribution ‘Delavigne praising Napoleon’ can be found here.

Drawing is one of her hobbies.

Dr James Clifford Kent is a photographer and lectures on visual culture.

‘In my creative practice, I use portraiture and social documentary to explore ways of telling stories about people and the places/spaces they inhabit. Over the course of the past two decades, I have travelled regularly to Cuba with different practice-led research projects that have resulted in several articles on visual culture and the book Aesthetics and the Revolutionary City: Real and Imagined Havana (Palgrave Macmillan, 2019). I have curated group shows and exhibited my work in the UK and Cuba. Recent curatorial projects include This is Cuba: Documentary Photography after Fidel (Royal Holloway, 2019) and Raúl Cañibano: Chronicles of an Island at (The Photographers’ Gallery, 2019). My latest project explores the impact of the Covid-19 pandemic on pregnancy, birth and early parenthood. My work has been supported by Arts Council England, the Arts & Humanities Research Council, and the Global Challenges Research Fund. I have organised workshops and given public talks at institutions such as Tate Exchange, The Photographers’ Gallery and the Fototeca de Cuba.’

Image shows a young Cuban man with glasses sitting with what look to be large weighing scales. He is in front of a turquoise wall with a Cuban flag and images of Che Guevara and a young Fidel Castro.

Image taken from the exhibition This Is Cuba and featured on James’s personal website

Read James’s profile

Renee is writing her PhD thesis on the representation of Caribbean slavery in contemporary fiction.

Read Renee’s profile

Nemo (they/them) is a PhD researcher writing their thesis on positive representations of non-white, non-cisgender identity in adaptations and fanwork of Victor Hugo’s Les Misérables.

‘I am a nonbinary writer and freelance theatre-maker. My interest lives in the intersections between colonial formations of race and gender in the nineteenth century, the history of the natural sciences, and the legacies of both in online fandom culture. My debut play, The Cobbled Streets of Geneva, won an Origins Award for outstanding new writing and my first collaborative musical Asian Pirate Musical sold out at VAULT Festival 2020.’


looking Chinese man in a red and gold Ming dynasty robe, pointing onwards. The second is an older, angry-looking Chinese woman in a sky-blue Qing dynasty robe with an ornamental shoulder-cloak, dual-wielding weapons. On the bottom row are three futuristic-looking young people wearing bright outfits with Southeast Asian fabric patterns. They all have shades of brown skin, are androgynous, and the central character has an afro.
Image shows a poster for Asian Pirate Musical. Drawn by Charis Loke. 

Read Nemo’s profile

Arantza specialises in Golden Age literature and culture in Spain and colonial America, particularly religious poetry, its devotional background and the relationship between literature and the visual arts. Recent publications include essays on Spanish Golden Age, colonial and 20th-century Spanish American poetry, book ownership in 17th-century Spain and the translation and reception of Cervantes's work in Britain.

Her current research interests include narratives of the Passion (textual and visual), the works of Teresa de Jesús, and pilgrimage.

Read Arantza’s profile

Lidia’s research focuses in Spanish film and media, often in connection with contemporary arts and politics. She serves as the member of the editorial staff of Secuencias and is currently member of the research project ‘Large Exhibitions: Spanish Contemporary Art for Mainstream Audiences’  based at the Universidad Autónoma de Madrid. She has published widely on European cinemas, gender studies, Romani studies, transnational cinemas, and documentary. Her forthcoming publication is an article on Picasso’s representation in Spanish newsreel NO-DO.

Professor Giuliana Pieri is the Head of School of Humanities. She has published widely on 19th and 20th century visual culture, cultural history and popular literature.

Her research interests are firmly in the area of comparative and interdisciplinary studies, especially the intersection of the verbal and the visual, and the role of Italian visual culture in the construction of Italian identity both in Italy and abroad.

Read Giuliana’s profile

Hilary is a specialist in German cultural memory and identity. Her current project focuses on the Weimar Republic and its contemporary resonances. She also works on representations of the 1943 Berlin Rosenstrasse Protest, publishing her first monograph Remembering Rosenstrasse: History, Memory, Identity in Contemporary Germany with Peter Lang, Oxford in 2018, and most recently on remembering in an age of right-wing populism.

Read Hilary’s profile

Eric specialises on the French and European visual and literary avant-gardes. His extensive work on Dada, Surrealism and especially the artist, poet and sculptor Hans Jean Arp has led him to work closely with numerous international art museums, including The Hepworth Wakefield and Turner Contemporary (UK), Arp Stiftung (Berlin, Germany), Kröller-Müller Museum (Netherlands), Musée d’Art Moderne et Contemporain de Strasbourg and Musées de la Ville de Strasbourg (France). 

He has also published work with the Arp Museum (Rolandseck, Germany), Cabaret Voltaire (Zurich, Switzerland), Hauser & Wirth (London, Los Angeles, New York and Zurich) and Almine Rech Gallery (New York, USA). 

Read Eric’s profile

Danielle's interdisciplinary research draws upon interests in animal studies, ecocriticism, aesthetics and philosophy of religion. She is currently completing a monograph, Animals, Plants, Things: Nonhuman Storytelling between Philosophy and Literature for the 'Crosscurrents' series at Edinburgh University Press.

She is a Fellow at the Forum for European Philosophy at the LSE, where she organises 10 events annually. 

Read Danielle’s profile

Rachel’s research is comparative and interdisciplinary and centres on the literary and textual cultures of the medieval and early modern Iberian worlds, drawing on the history of the book, translation and reception studies, and cultural and intellectual history. She is also interested in contemporary representations and ideological appropriations of the medieval and early modern worlds – an interest she has been developing through collaborations with artists, curators, and practitioners in the cultural and creative sectors, such as Medieval in Contemporary Art, a partnership between the Slade School of Fine Art, UCL and the IES; the P21 Gallery, with whom she is organising an exhibition of contemporary creative responses to Kalila wa-Dimna, an Arabic collection of exemplary fables; and East London Textile Arts, a participatory arts group based in Newham, East London who are also involved in the P21 project.

Read Rachel’s profile

Anissa is an Independent Researcher and Honorary Research Associate at Royal Holloway. 

‘My research focuses on the ways in which contemporary postcolonial writers, filmmakers and artists are reshaping traditional discourses of home, nation and gender. I have looked at the dynamics of gender and self-representation in fiction by francophone authors such as Leïla Sebbar, Tassadit Imache, Farida Belghoul, Leïla Houari, Azouz Begag and Nadia Ghalem, as well as anglophone authors such as Nadine Gordimer and Bessie Head. I have also approached the significance of visual representations in the construction and deconstruction of the racialized and gendered ‘other’ by comparing the work of authors from different literary and cultural traditions, such as Ralph Ellison and Farida Belghoul. My interest in gender and representation has also led me to pay particular attention to the reconfiguring of masculinity in contemporary Algerian cinema (for example in Merzak Allouache’s classic film, Omar Gatlato). My publications include Problématiques identitaires et discours de l’exil dans les littératures francophones (Ottawa University Press, 2007), Gender and Identity (Oxford University Press, 2013), a special issue of Dalhousie French Studies on ‘Women from the Maghreb: Looking Back and Moving Forward’ (2014), as well as book chapters and journal articles on various aspects of the intersection of postcolonial and gender discourses as reflected in literature and cinema.’

Josie is writing her PhD thesis on the relationship of the non-human in spaces of extraction as explored in literature and visual culture.

Read Josie’s profile

Hannah is a specialist in nineteenth- and twentieth-century French literature and the visual arts, translation studies and audio description.

‘I am a partially blind academic and activist. I am interested in what the treatment of various protected characteristics (such as gender, sexuality and disability) can tell us about French culture. I have written three books on these themes: Naturalism Redressed: Identity and Clothing in the Novels of Emile Zola (Legenda 2004); Taboo: Corporeal Secrets in Nineteenth-Century French Fiction (Legenda, 2013) and Reviewing Blindness in French Fiction (1789-2013) (Palgrave, 2017). This third book marked the beginning of a new research focus on the intersections between Critical Disability Studies and French Studies. I am currently working on creative audio description in museums, art galleries and theatres and the notion of ‘blindness gain’ and I have an AHRC Equality, Diversity and Inclusion Fellowship to support this work on ‘Inclusive Description for Equality and Access’.

I write about my experiences as a partially blind person in a resolutely visual world on my blog Blind Spot.’ 

Current projects

‘Découvrir la peinture par l’écoute’ with the musée du quai Branly, Paris

Royal Holloway Picture Gallery Audio-Described Tour

AHRC EDI Fellowship: Inclusive Description for Equality and Access

Read Hannah’s profile

James is a Professor of French/Francophone cinema and literature as well as Director of the Centre for Visual Cultures.

‘My research focuses on contemporary film, literature and thought, with a particular interest in questions of ethics and aesthetics; race, migration and transnational cultures; gender and sexuality; and space, urban studies and cultural geography. My published work includes The Erotics of Passage: Pleasure, Politics, and Form in the Later Work of Marguerite Duras (1997), Jean Cocteau (2006 and 2008), Space and Being in Contemporary French Cinema (2013), Encounters with Godard: Ethics, Aesthetics, Politics (2016), and Ethics and Aesthetics in Contemporary African Cinema: The Politics of Beauty (2019). Recent publications include the edited volume Queering the Migrant in Contemporary European Cinema (2020) and an article (2021) on Steve McQueen’s Small Axe.’ 

Mono and sepia image showing, from left, crane and construction on the Westway elevated road and right, people seated at a meeting of the Mangrove 9Mono and sepia images shows, from left, crane and construction on the Westway elevated road, and right, people seated at a meeting of the Mangrove 9

Image (a frame-grab) shows a ‘Mangrove 9’ political meeting dissolving into the Westway collage sequence in Mangrove, part of the BBC series Small Axe (2020) by Steve McQueen.

Read James’s profile

Sarah researches in Spanish cinema, theatre and comparative literature. She delivers regular workshops for schools at the BFI on Almodóvar and on Spanish cinema. She is currently leading a network of scholars on Childhood and Nation in World Cinemas and has recently worked on a literal translation of Lorca’s Blood Wedding with playwright David Ireland and award-winning disabilities theatre company Graeae.

Read Sarah’s profile

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