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Liz Bahs Narrating Worlds: Polyphonic Voice in Poetry Sequence Supervisor: Professor Jo ShapcottCo-Supervisor: Dr. Kristen Kreider
Jennie Cole Reading and Writing Complexity in Contemporary Arts and Poetics Co-Supervisor: Dr Kristen Kreider Co-Supervisor: Dr Will Montgomery
Aviva Dautch Harmonious Discord: Modern Metaphysical Poetry Co-Supervisor: Professor Jo Shapcott Co-Supervisor: Professor Robert Hampson
Susan Gray Stardust and Spotlights - the Final Frontier of Cognitive Estrangement? Staging Science Fiction Supervisor: Professor Adam Roberts
Nathan Jones Title TBC Co-Supervisor: Dr Will Montgomery Co-Supervisor: Adam Ganz
Dimitrios Kalpouzos Anxieties of the Historical Novelist - Reconstructing the 19th Century in Fiction Supervisor: Mr. Ben Markovits
Aamir Mehar Concealed Emotion: Isolation and the Restrained Self in Fiction Supervisor: Dr. Douglas Cowie
Kate Potts For Everyone and For You Alone: Towards a Poetics of the Dramatic Radio Poem Co-Supervisor: Professor Jo Shapcott Co-Supervisor: Professor Robert Hampson
Jonathan Reid Title TBC Supervisor: Professor Andrew Motion
Penelope Rudge A Novel Consciousness: A Practical Exploration of Fiction's Capacity to Represent Deafblindness Supervisor: Professor Andrew Motion Co-Supervisor: Professor Robert Hampson
Pnina Shinebourne Seriality in Contemporary Poetry Co-Supervisor: Professor Jo Shapcott Co-Supervisor: Dr Will Montgomery
Emma Venables A Creative & Critical Exploration of Women in Nazi Society using Postmodern Writing Techniques Supervisor: Dr. Douglas Cowie
Adele Ward Title TBC Supervisor: Professor Andrew Motion
Eley Williams Unclear Definitions: Dictionaries and the Fictional Co-Supervisor: Professor Andrew Motion Co-Supervisor: Professor Judith Hawley
Jane Yeh A Short History of Style: Self-Fashioning and the Contemporary Dramatic Monologue Supervisor: Dr Kei MillerCo-Supervisor: Dr. Kristen Kreider
Vivien Graveson Writing The Shell and the Poetics of Inherited Secrets: Transgenerational Haunting in Beloved by Toni Morrison, The Little Stranger by Sarah Waters, The Lie by Helen Dunmore and in my own writing practice Supervisor: Susanna Jones
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