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Home > Drama and Theatre home > Platform eJournal > Vol. 5, No. 2, Communities and Performance, Spring 2011
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Vol. 5, No. 2, Communities and Performance, Spring 2011

Contents

Editorial

Notes on Contributors

 

Articles

Space and Festivalscapes by Jorje Perez Falconi, Royal Holloway, University of London

‘Here on the Edge’: Community-Building Theatre During World War II by Andrew Ryder, Seattle Pacific University

One Acts: Reductive Performances Make a Difference by Yelena Gluzman, Tokyo University

An AfroReggae Explosion: Reimagining the Value of Quality, Profit and the Global Market in the Development of Applied Performance by Poppy Spowage, Queen Mary, University of London

‘The Work is the Fix’: An Email Conversation with Darren O’Donnell, Artistic Director of Mammalian Diving Reflex by Liam Jarvis, Royal Holloway, University of London

The Brazilian Favela as Stage and Persona and the Challenge of an Alternative-Narrative by Marina Henriques Coutinho, Federal University of the State of Rio de Janeiro

Keeping Memory Afloat: Little John Nee’s The Derry Boat by Beth Phillips, National University of Ireland, Galway

 

Book Reviews

Theatre and Sexuality by Jill Dolan
Matt Fox, Royal Holloway, University of London

On Directing and Dramaturgy: Burning the House by Eugenio Barba
Stella Keramida, Royal Holloway, University of London

The Charismatic Chameleon: The Actor as Creative Artist by Leslie O’Dell
Eugénie Pastor, Royal Holloway, University of London

Drama as Therapy: Clinical Work and Research into Practice (Volume 2) ed. by Phil Jones
Peggy Shannon, Royal Holloway, University of London

Movement Training for the Modern Actor by Mark Evans

Konstantinos Thomaidis, Royal Holloway, University of London



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Image1

From 'One Acts' by Yelena Gluzman

Image2

From ‘Space and Festivalscapes’ by Jorje Perez Falcono

Image3

From ‘Little John Nee and the Derry Boat’ by Beth Phillipsom

 

 
 
 
 

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