Vol. 5, No. 1, Transformations, Summer 2010
Notes on Contributors
From ‘Sorry Sorry’ to ‘That Banana’: the Subtitling of a Korean Music Video as a Site of Contestation in Taiwan by Chih-Chieh Liu, University of Surrey
Real Beauty Doesn’t Have To Try Like That: How I Got to Transform Cost into Value by Stephen Robins, University of Bristol
Minutiae, Mysteries and Magic: A Conversation with Little Bulb Theatre Company by Emer O'Toole, Royal Holloway, University of London
A Textual Analysis of Martin Crimp’s Adaptation of Anton Chekhov’s The Seagull: The Importance of Testimony and Relationship by Clara Escoda, University of Barcelona
Eye-Height: A Project in Pictures by Beatriz Cantinho, Edinburgh College of Art
Moving Uncertainties: Negotiating ‘Theatre in Movement’ and Field-work Research in the French Context by Eugénie Pastor, Royal Holloway, University of London
When the Body Becomes Too Much: Writing on Becoming-locust and the Spectacle of Theory by Paul Hurley, Independent Scholar
The Strokes: A Verse Drama in One Act by Chistopher O’Shaughnessy, Royal Holloway, University of London
Crossroads: Performance Studies and Irish Culture ed. by Sara Brady and Fintan Walsh by Shonagh Hill, Queen’s University Belfast
Fictional Thinking: A Poetics and Rhetoric of Fictional Creativity in Theatre by Eli Rozik by Karen Quigley, King's College, Univeristy of London
Theatre & the Body by Colette Conroy by Nicholas Hamilton, University of Westminster
Naming Theatre: Demonstrative Diagnosis in Performance Studies by James Frieze by Styliana Keramida, Royal Holloway, University of London
Applied Theatre: International Case Studies and Challenges for Practice by Monica Prendergast and Juliana Saxton by Sofia Apospori, Royal Holloway, University of London
From 'Minutiae, Mysteries and Magic'
From 'Real Beauty Doesn’t Have To Try Like That'
From 'From "Sorry Sorry" to "That Banana"'