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Notes on Contributors
Translating In? Brian Friel’s Translations in Irish-language Performance by Nóra de Buiteléir
Pumpkin Fruit / Pumpkin Root: Participatory Theatre in a Ugandan Prison by Kevin Bott
Feeling Performance, Remembering Trauma by Patrick Duggan
The Reception of Oscar Wilde and Bernard Shaw in the Light of Early Twentieth-Century Austrian Censorship by Sandra Mayer and Barbara Pfeifer
Small Town Montréal: Critical Preconceptions and the (mis)Interpretation of Michel Tremblay’s Hosanna by Jim Ellison
Making a Performance: Devising Histories and Contemporary Practices by Emma Govan, Helen Nicholson and Katie Normington by Joanna Bucknell
Film, Drama and the Break-Up of Britain by Steve Blandford by Bryce Lease
Staging Black Feminisms: Identity, Politics, Performance by Lynette Goddard by Marissia Fragou
Ghosts: Death’s Double and the Phenomena of Theatre by Alice Rayner by Rachel Clements
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