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Notes on Contributors
Moving Targets: An “Illogical” Theatre of Resistance in (Pre)Occupied Territory by Ryan Reynolds
Confusing Gender: Strategies for resisting objectification in the work of Split Britches by Emily Underwood
Accusing and Engaging the Audience through Theatreform: Griselda Gambaro's Information for Foreigners by Selena Burns
Antonio or the Message: Bourgeois Conformism and the Dictatorship of the Colonels in Greece (1967-1974) by Philip Hager
Contextualising Reception: Writing about Theatre and National Identity by Marilena Zaroulia
The Literary Artist and Social Cohesion an a Multi-Lingual Setting: A Study Of Ola Rotimi’s If… and Hopes Of The Living Dead by Busuyi Mekusi
A Beckett Canon by Ruby Cohn by Magda Romanska
Against Theatre: Creative Destructions on the Modernist Stage, edited by Alan Ackerman and Martin Puchner by Amy Simpson
Performance and Place edited by Leslie Hill and Helen Paris by Michael Pinchbeck
Here We Stand: Politics, Performers and Performance, by Colin Chambers by Vicky Angelaki
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